Quote

We're all unlucky in love sometimes. When I am, I go jogging. The body loses water when you jog, so you have none left for tears.

Wong Kar-wai

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Wong Kar-wai
Age: 66
Born: 1958
Born: July 17
Film Director
Film Producer
Filmmaker
Screenwriter
Shanghai
China
Kar Wai Wong
Wong Kar-Wai
Jia Wei Wang
Kar-Wai Wong
Wang Gu Wei
Ga Wai Wong
Jiawei Wang
Wong Kar Wai
Wohng Ga Waih
Chia-wei Wang
WKW
None
Tears
Loses
Water
Left
Body
Sometimes
Jogging
Love
Unlucky

More quotes by Wong Kar-wai

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I'm not coming from film school. I learned cinema in the cinema watching films, so you always have a curiosity. I say, 'Well, what if I make a film in this genre? What if I make this film like this?'
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I never had a problem with genre because a genre actually is like a uniform - you put yourself into a certain uniform.
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I think one day I can make a book about coffee shops in Hong Kong. I spent almost most of my time in coffee shops, in different coffee shops.
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I think the martial arts tradition has a big influence on our generation - we all read these novels when we were very young.
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In a way, this is what the difference is between Hong Kong and Chinese cinema - Chinese cinema was made for their own communities. It was for propaganda. But Hong Kong made films to entertain, and they know how to communicate with international audiences.
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Some actors like encouragement. Some actors prefer to have pressure. And sometimes, for some actors, its better to give your comment by silence, because they are so skillful, so gifted, that they understand without talking too much.
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I always think to shoot action scenes is not really about the stunts. It's more about an expression and about imagination.
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Most of my films deal with people who are stuck in certain routines and habits that don't make them happy. They want to change, but they need something to push them. I think it's mostly love that causes them to break their routines and move on.
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I'm not afraid to delay the schedule to make sure that this is the film that I want, that this is the best that I can do at that point.
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My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
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Im a big fan of martial arts films, novels and radio programs.
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There are certain types of genres that are impossible in China. Ghost stories, something too graphic, too violent, and of course if it's too political. Other than that, it will be fine.
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My mother has a very big family in Shanghai, so I have, like, almost 40 cousins, so we stayed together all the time. So by the time I get to Hong Kong, I become the only child and the only one surrounded by adults, you know.
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What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable.
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People are very surprised when they come to Hong Kong after seeing my films, because my version of it is quite different than Hong Kong in reality.
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I wanted to know what exactly martial arts is. When you look at martial arts films, the later ones became more and more exaggerated. It's like, wow, is martial arts only a show?
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I never studied film formally at school, but as a kid, I spent most of my time in cinemas.
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Love is all a matter of timing. It's no good meeting the right person too soon or too late.
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I'm not coming from film school, I learned cinema in the cinema watching films.
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We love what we can't have, and we can't have what we love.
Wong Kar-wai