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I come alive when I have assisted in bringing out the printed word on the stage, you know, and I enjoy directing plays. It's a tactile process, theatre, unlike a number of other forms of the creative work.

Wole Soyinka

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Wole Soyinka
Age: 90
Born: 1934
Born: July 13
Author
Essayist
Novelist
Philosopher
Playwright
Poet
Professor
Translator
Writer
Akinwande Oluwole Soyinka
Akinwande Oluwole Wole Soyinka
Form
Number
Tactile
Come
Numbers
Printed
Play
Stage
Directing
Work
Alive
Unlike
Creative
Bringing
Word
Plays
Enjoy
Theatre
Process
Forms
Assisted

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The writer is the visionary of his people... He anticipates, he warns.
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A human feast is an indifferent morsel to a god.
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My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
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Suddenly the world has run amok and left you alone and sane behind
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I am convinced that Nigeria would have been a more highly developed country without the oil. I wished we'd never smelled the fumes of petroleum.
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I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals I was involved in school plays I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
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I think I'm a very lazy writer and by that I mean that I do not battle, I don't struggle too hard against it. If I have difficulties in the writing, I just go and do other things. I don't feel a compulsion to write.
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Books and all forms of writing are terror to those who wish to suppress the truth.
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There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged then the audience, the nature of the audience, the quality of the audience.
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Intolerance has always been with us, you know. The moment you have ideology, we have intolerance, whether it's the secular ideology or, you know ideocratic ideology, which always brings with it some kind of intolerance.
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My father used to tell me stories before I fell asleep. When the children would gather, at a certain point, I had a tendency to make up my own elementary variations on stories I had heard, or to invent totally new ones.
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I grew up with a very strong sense of what is just and what is not or, to put it this way, I grew up with a keen sense of a division, the reality of a division of perception in people's lives between those who govern and those who govern.
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The man dies in all those that keep silent.
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Writers who open up horizons for other people are performing a function every bit as important as a consciously politicized writer.
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I consider the process of gestation just as important as when you're actually sitting down putting words to the paper.
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Religion has really spawned some monsters. It always has, historically. Go all the way back to the Inquisition, you know, the Crusades, the Jehad and so on.
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I think the epicentre of terrorism whether you call it cesspit or whatever you want to call it, shift, if you asked me a while ago, I would have said Somalia, Somalia has quietened a bit - and I think the epicentre right now is in Northern Nigeria.
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We do not ask the mountain's aid to crack a walnut.
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We live in a materialist world, and materialism appeals so strongly to humanity, no matter where.
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We live in the real world - we live within a certain history of the plague that has landed on us.
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