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When a leader encourages the culture of impunity, the society is lost and it makes the work harder for the rest of us.

Wole Soyinka

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Wole Soyinka
Age: 90
Born: 1934
Born: July 13
Author
Essayist
Novelist
Philosopher
Playwright
Poet
Professor
Translator
Writer
Akinwande Oluwole Soyinka
Akinwande Oluwole Wole Soyinka
Harder
Rest
Leader
Society
Culture
Lost
Makes
Impunity
Work
Encourages

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The hand that dips into the bottom of the pot will eat the biggest snail.
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I don't really consider myself a novelist, it just came out purely by accident.
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There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda.
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My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
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I don’t know any other way to live but to wake up everyday armed with my convictions, not yielding them to the threat of danger and to the power and force of people who might despise me.
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There is only one home to the life of a river-mussel there is only one home to the life of a tortoise there is only one shell to the soul of man: there is only one world to the spirit of our race. If that world leaves its course and smashes on boulders of the great void, whose world will give us shelter?
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Writers who open up horizons for other people are performing a function every bit as important as a consciously politicized writer.
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Let's say there are prospects for a new Nigeria, but I don't think we have a new Nigeria yet.
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I happen to be unfortunately temperamental. No, my temperament is also, what you describe to rainfalls, the will of society, to combat a number of contradictions. That happens to be my creative temperament.
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Under a dictatorship, a nation ceases to exist. All that remains is a fiefdom, a planet of slaves regimented by aliens from outer-space.
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Well, first of all I'll say that I come alive best in theater.
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Romance is the sweetening of the soul With fragrance offered by the stricken heart.
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I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals I was involved in school plays I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
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You have the entire gamut of human experience captured in the mythology of the Yoruba. This is what makes the Yoruba mythology a natural source material for me in my creative endeavours.
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Don't take shadows too seriously. Reality is your only safety. Continue to reject illusion.
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Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.
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Colonialism bred an innate arrogance, but when you undertake that sort of imperial adventure, that arrogance gives way to a feeling of accommodativeness. You take pride in your openness.
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. . . as far as the regime is concerned, well, the play is sheer terror for them. Because they feel, How dare - how dare anybody lift his or her voice in criticism against us? We have the guns. Their level of paranoia and power-drunkenness is unbelievable.
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Intolerance has always been with us, you know. The moment you have ideology, we have intolerance, whether it's the secular ideology or, you know ideocratic ideology, which always brings with it some kind of intolerance.
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Be yourself. Ultimately just be yourself.
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