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When a leader encourages the culture of impunity, the society is lost and it makes the work harder for the rest of us.
Wole Soyinka
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Wole Soyinka
Age: 90
Born: 1934
Born: July 13
Author
Essayist
Novelist
Philosopher
Playwright
Poet
Professor
Translator
Writer
Akinwande Oluwole Soyinka
Akinwande Oluwole Wole Soyinka
Work
Encourages
Harder
Rest
Leader
Society
Culture
Lost
Makes
Impunity
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I never hesitated, as a student, in embracing the necessity of violence. In South Africa, I didn't just accept it I looked forward to it as a mission.
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And I believe that the best learning process of any kind of craft is just to look at the work of others.
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Mythology can be used, and has been used, even to re-state, you know, the very urgent problems of the world.
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The greatest threat to freedom is the absence of criticism.
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History teaches us to beware of the excitation of the liberated and the injustices that often accompany their righteous thirst for justice.
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Intolerance has always been with us, you know. The moment you have ideology, we have intolerance, whether it's the secular ideology or, you know ideocratic ideology, which always brings with it some kind of intolerance.
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Next to the commodities of corruption, and religion, however, Nigeria is the world capital of rumour mongering.
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My father used to tell me stories before I fell asleep. When the children would gather, at a certain point, I had a tendency to make up my own elementary variations on stories I had heard, or to invent totally new ones.
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The hand that dips into the bottom of the pot will eat the biggest snail.
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You accept whoever you are interacting with, directly, or indirectly.
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My interest in culture generally is a comparative one, and I think that's where the word joy, I think, can be applicable. There's joy in actually seeing the relatedness, the connectedness of different cultures or recognising, for instance, your own culture in another or another culture in your own culture and feeling an air to all of them.
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See, even despite pious statements to the contrary, much of the industrialized world has not yet come to terms with the recognition of the fallacy of what I call the strong man syndrome.
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I do not believe that it is necessarily the duty of the writer to give a voice to his community. If a writer is true to his vocation, to his or her vocation, the very process of creativity enlarges these human horizons. It provides insights, even when you're not writing, when your writing's not dealing with a concrete political situation.
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To achieve any change in the minds of the youth, there must be reorientation in terms of materialistic tendencies, corruption and crime generally.
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We do not ask the mountain's aid to crack a walnut.
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I grew up in an atmosphere where words were an integral part of culture.
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The British inclined more towards the feudal mentality, the feudal structures rather than the more radical progressive elements who would re-shape society and institute pretty egalitarian systems of governance with opportunity for even disadvantaged people and so I found that decolonisation was not just the end of political struggle in Nigeria.
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I consider the process of gestation just as important as when you're actually sitting down putting words to the paper.
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My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
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One, a mass movement from within, which, as you know, is constantly being put down brutally but which, again, regroups and moves forward as is happening right now as we are speaking.
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