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My father used to tell me stories before I fell asleep. When the children would gather, at a certain point, I had a tendency to make up my own elementary variations on stories I had heard, or to invent totally new ones.

Wole Soyinka

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Wole Soyinka
Age: 90
Born: 1934
Born: July 13
Author
Essayist
Novelist
Philosopher
Playwright
Poet
Professor
Translator
Writer
Akinwande Oluwole Soyinka
Akinwande Oluwole Wole Soyinka
Used
Totally
Elementary
Children
Ones
Variation
Make
Heard
Gather
Would
Point
Invent
Father
Asleep
Tell
Tendency
Stories
Tendencies
Certain
Fell
Variations

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My mind immediately shot to South Africa the moment I sat down to think what I was going to write, what I was going to say. There was no other choice.
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Intolerance has become, I think, the reigning ideology of the world today, the intolerance versus intolerance and it's taken on lethal proportions.
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I can look violence in the face and either reject or accept it.
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A human feast is an indifferent morsel to a god.
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The media must be used effectively to reach the masses. You have to find a new language in which to address the people and demonstrate what is possible.
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Intolerance has always been with us, you know. The moment you have ideology, we have intolerance, whether it's the secular ideology or, you know ideocratic ideology, which always brings with it some kind of intolerance.
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Only 4 sets of people can vote for the PDP: (1) those who are intellectually blind (2) those who are blinded by ethnicity (3) those who are blinded by corruption and therefore afraid of the unknown, should power change hands and finally (4) those who are suffering from a combination of the above terminal sicknesses.
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I come alive when I have assisted in bringing out the printed word on the stage, you know, and I enjoy directing plays. It's a tactile process, theatre, unlike a number of other forms of the creative work.
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You have the entire gamut of human experience captured in the mythology of the Yoruba. This is what makes the Yoruba mythology a natural source material for me in my creative endeavours.
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There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged then the audience, the nature of the audience, the quality of the audience.
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Governance can dig itself into a huge hole and not even know it's in there.
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Given the scale of trauma caused by the genocide, Rwanda has indicated that however thin the hope of a community can be, a hero always emerges. Although no one can dare claim that it is now a perfect state, and that no more work is needed, Rwanda has risen from the ashes as a model or truth and reconciliation.
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I cannot accept the definition of collective good as articulated by a privileged minority in society, especially when that minority is in power.
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A tiger does not proclaim his tigritude, he pounces.
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But the ultimate lesson is just sit down and write. That's all.
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We all have our individual artistic temperaments as well as partisanships in creative directions. And we have strong opinions on the merits of the products of our occupation.
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Religion has really spawned some monsters. It always has, historically. Go all the way back to the Inquisition, you know, the Crusades, the Jehad and so on.
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Well, first of all I'll say that I come alive best in theater.
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Mythology can be used, and has been used, even to re-state, you know, the very urgent problems of the world.
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Don't feel that you have to tailor your literature a particular way to please any school of ideology. There will emerge in its own right, effortlessly, some kind of ideological direction which is a reflection of your thinking and you want your thinking, above all.
Wole Soyinka