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I am convinced that Nigeria would have been a more highly developed country without the oil. I wished we'd never smelled the fumes of petroleum.
Wole Soyinka
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Wole Soyinka
Age: 90
Born: 1934
Born: July 13
Author
Essayist
Novelist
Philosopher
Playwright
Poet
Professor
Translator
Writer
Akinwande Oluwole Soyinka
Akinwande Oluwole Wole Soyinka
Developed
Convinced
Fumes
Without
Petroleum
Country
Smelled
Never
Nigeria
Would
Wished
Highly
Oil
More quotes by Wole Soyinka
One thing I can tell you is this, that I am not a methodical writer.
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There's a lot of insincerity about the actions of our legislators they create distractions - like this anti-gay law you alluded to - and try to mobilise, to exacerbate people's emotions. Until the legislators started making laws, people minded, generally, their own business.
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I think the epicentre of terrorism whether you call it cesspit or whatever you want to call it, shift, if you asked me a while ago, I would have said Somalia, Somalia has quietened a bit - and I think the epicentre right now is in Northern Nigeria.
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I have one abiding religion-human liberty.
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It is the human potentials that interest me. I travel and everywhere I go I am amazed at the presence of Nigerians. The intelligence, integrity, productivity, initiative.
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Be yourself. Ultimately just be yourself.
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I consider the process of gestation just as important as when you're actually sitting down putting words to the paper.
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I do not believe that it is necessarily the duty of the writer to give a voice to his community. If a writer is true to his vocation, to his or her vocation, the very process of creativity enlarges these human horizons. It provides insights, even when you're not writing, when your writing's not dealing with a concrete political situation.
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Culture is a matrix of infinite possibilities and choices. From within the same culture matrix we can extract arguments and strategies for the degradation and ennoblement of our species, for its enslavement or liberation, for the suppression of its productive potential or its enhancement.
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The idea of having to make constant reference to politics is anathema to my calling as a writer.
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There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged then the audience, the nature of the audience, the quality of the audience.
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And I believe that the best learning process of any kind of craft is just to look at the work of others.
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My definition of slavery is the deprivation of human volition, any form of relationship between two peoples which is based on the deprivation of volition of one side.
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Writers are human. I shudder to think how I must sometimes appear to others.
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I think that feeling that if one believed absolutely in any cause, then one must have the confidence, the self-certainty, to go through with that particular course of action.
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I found, when I left, that there were others who felt the same way. We'd meet, they'd come and seek me out, we'd talk about the future. And I found that their depression and pessimism was every bit as acute as mine.
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Society itself is responsible for the degradation.
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