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I'm fighting against the bad poet who is prone to using too many words.

Wislawa Szymborska

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Wislawa Szymborska
Age: 88 †
Born: 1923
Born: July 2
Died: 2012
Died: February 1
Critic
Essayist
Literary Critic
Mechanic
Poet
Translator
Writer
Kornik
Maria Wisława Anna Szymborska
Szymborska
Words
Many
Prone
Using
Poet
Fighting

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No day copies yesterday, no two nights will teach what bliss is in precisely the same way, with precisely the same kisses.
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In every tragedy, an element of comedy is preserved. Comedy is just tragedy reversed.
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In the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone's existence in this world.
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Well, one is inspired by the whole of life, one's own and somebody else's. You know how sometimes you hear great music, and music is completely untranslatable into words, into any words. A certain tension that is born when one listens to music could aid you in expressing something absolutely different.
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You can find the entire cosmos lurking in its least remarkable objects.
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Somewhere out there the world must have an end.
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But they know about us, they know, the four corners, and the chairs nearby us. Discerning shadows also know, and even the table keeps quiet.
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Even a graphomaniac is an extremely complicated person.
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Whether you want it or not, your genes have a political past, your skin a political tone. your eyes a political color. ... you walk with political steps on political ground.
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There's simply too much fuss about myself.
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The joy of writing. The power of preserving. Revenge of a mortal hand.
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Every beginning is only a sequel, after all, and the book of events is always open halfway through.
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They say the first sentence in any speech is always the hardest. Well, that one's behind me, anyway.
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Poets yearn, of course, to be published, read, and understood, but they do little, if anything, to set themselves above the common herd and the daily grind.
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All the best have something in common, a regard for reality, an agreement to its primacy over the imagination.
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Existentialists are monumentally and monotonously serious they don't like to joke.
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Loveless work, boring work, work valued only because others haven't got even that much, however loveless and boring - this is one of the harshest human miseries.
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All the best have something in common, a regard for reality, an agreement to its primacy over the imagination. Even the richest, most surprising and wild imagination is not as rich, wild and surprising as reality. The task of the poet is to pick singular threads from this dense, colorful fabric.
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I prefer the absurdity of writing poems to the absurdity of not writing poems.
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I'm drowning in papers.
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