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But they know about us, they know, the four corners, and the chairs nearby us. Discerning shadows also know, and even the table keeps quiet.
Wislawa Szymborska
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Wislawa Szymborska
Age: 88 †
Born: 1923
Born: July 2
Died: 2012
Died: February 1
Critic
Essayist
Literary Critic
Mechanic
Poet
Translator
Writer
Kornik
Maria Wisława Anna Szymborska
Szymborska
Shadow
Nearby
Quiet
Discerning
Four
Shadows
Also
Chairs
Even
Corners
Table
Tables
Keeps
More quotes by Wislawa Szymborska
I don't know the role I'm playing. I only know it's mine, non-convertible.
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There's simply too much fuss about myself.
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My choices are rejections, since there is no other way, but what I reject is more numerous, denser, more demanding than before. A little poem, a sigh, at the cost of indescribable losses.
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Whatever inspiration is, it's born from a continuous I don't know.
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And whatever I do will become forever what I've done.
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No one feels good at four in the morning. If ants feel good at four in the morning —three cheers for the ants.
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Poetic talent doesn't operate in a vacuum. There is a spirit of Polish poetry.
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Poets yearn, of course, to be published, read, and understood, but they do little, if anything, to set themselves above the common herd and the daily grind.
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Something doesn't start at its usual time. Something doesn't happen as it should. Someone was always, always here, then suddenly disappeared and stubbornly stays disappeared.
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What does the world get from two people/who exist in a world of their own?
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I'm working on the world, revised, improved edition, featuring fun for fools blues for brooders, combs for bald pates, tricks for old dogs.
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I'm fighting against the bad poet who is prone to using too many words.
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I prefer the hell of chaos to the hell of order.
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Loveless work, boring work, work valued only because others haven't got even that much, however loveless and boring - this is one of the harshest human miseries.
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I am who I am. A coincidence no less unthinkable than any other.
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I'm one-time-only to the marrow of my bones.
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Four billion people on this earth, but my imagination is still the same. It's bad with large numbers. It's still taken by particularity. It flits in the dark like a flashlight, illuminating only random faces while all the rest go blindly by, never coming to mind and never really missed. . . . I can't tell you how much I pass over in silence.
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When it comes, you’ll be dreaming that you don’t need to breathe that breathless silence is the music of the dark and it’s part of the rhythm to vanish like a spark.
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Existentialists are monumentally and monotonously serious they don't like to joke.
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They say the first sentence in any speech is always the hardest. Well, that one's behind me, anyway.
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