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There's the idea that you have to know how to solve the world's problems in order to feel that something is morally wrong. I'm always back and forth between optimism and depression about the situation.

Win Butler

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Win Butler
Age: 44
Born: 1980
Born: April 14
Banjoist
Composer
Guitarist
Mandolinist
Musician
Poet
Singer
Singer-Songwriter
Songwriter
Houston
Texas
Edwin Farnham Butler III
Order
Optimism
Problem
Depression
Back
Forth
Feel
Solve
Something
Problems
Always
Situation
World
Wrong
Idea
Morally

More quotes by Win Butler

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The film Black Orpheus is one of my favorite films of all time, which is set in Carnival in Brazil.
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What I miss [about church] is being forced to be in community with people that aren't the same as me.
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If I was a cabinetmaker or a commercial fisherman, it would be the same question - how to connect to my world. The job we do affords us the opportunity to have people listen to what we say. But a lot of people have a similar situation: They're trying to find a way to do some good.
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It seems like the record industry made so much crazy money in the 1960s that everyone wanted to get in on it. Now it's just become very corporate. So all of these people who despise music end up being in charge.
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There's an obligation to let people know where their money is going, so the tour has an educational aspect, mostly as a way to thank people. But the most practical use is to raise money and do the research to figure out the proper ways to spend it. You want to make sure that the money doesn't just go somewhere where it does more harm than good.
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Major labels just lost their way. It's like the housing bubble. They lost a sense of the fundamentals.
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A lot of artists write about the same things their whole career.
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Songwriting is reliant on inspiration, which ideally you don't have that much control over. Songs kind of half make themselves, and then you have to finish them.
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I don't think the emotional quality is the defining quality of the music but it's definitely something that people have picked up on a lot
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I just wanted to make something in the world and worry about the rest of it later and not get too caught up in rules.
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When I was living in Boston I worked in this store that played the college radio station. I had to listen to it all day, and I didn't care for most of it.
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I think filmmakers all secretly wanna be musicians and all musicians secretly wanna be filmmakers.
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A lot of stuff is dark in a way, but unless you're really looking at a situation for what it actually is, it's hard to be hopeful - or meaningless to be hopeful about it unless it's actually based in a real possibility.
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The idea of dancing to bad house music is something I could never get behind.
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I always find live shows on film kind of boring. Even my favorite ones, I kinda zone out for most of it. It's just so different seeing a band in the flesh and then watching a film of it, even if you have a hundred cameras and it's shot from every angle. There's just a communal, visceral thing that never translates very well.
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Actual patriotism has to do with loving a place enough to try and improve it.
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Years ago, in order to stay sane, I had to really make an effort not to think about how people view us. There's just so much noise, positive and negative, and not much good comes out of thinking about it.
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I think you have to want to be really famous. It's a lot easier to sabotage your career than to have a career to sabotage.
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While there are so many beautiful Baroque churches and it's a beautiful artistic tradition, it almost gets hideous and grotesque if you push it further. You can take something beautiful and overdo it.
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The Flaming Lips have been on Warner Bros. forever, and certainly everything I heard growing up was on a major label in some way, from the Cure to Radiohead to Bjork.
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