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The reason I never wrote a novel is that I don't have what it takes to write characters, so they would all be talking differently. I lack that ability. If I were writing, they would all talk like me, and that's no good.

Wim Wenders

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Wim Wenders
Age: 79
Born: 1945
Born: August 14
Actor
Film Director
Film Producer
Filmmaker
Photographer
Screenwriter
University Teacher
Dusseldorf
Vimu Vendâsu
Ernst Wilhelm Wenders
Vimu Vendasu
Ability
Would
Talking
Differently
Like
Write
Wrote
Character
Lack
Reason
Characters
Novel
Writing
Takes
Good
Talk
Never

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Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings.
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Filmmakers tell actors to adjust their body language, and the famous presence of the actor is his or her body language. That is what makes them special and a movie star. An actor's capital is his body.
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It's a great lesson in modesty that you realize you're illiterate in a field that you think you're an expert in.
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The last adventure left on this planet is creativity because we've been everywhere. There's not much left to explore. But there's a lot of exploration left in the human imagination.
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There are a lot of things that dancers can do that actors cannot and actors can do that dancers cannot.
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The Yanks have colonized our subconscious.
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If you travel a lot, if you like roaming about in order to lose yourself, you can end up in the strangest places. I think it must be a kind of built-in radar, which often takes me to places that are either peculiarly quiet or peculiar in a quiet sort of way.
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My advice is, don't spend money on therapy. Spend it in a record store.
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The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
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An image that is unseen can't sell anything. It is pure, therefore true, beautiful, in one word: innocent. As long as no eye contaminates it, it is in perfect unison with the world. If it is not seen, the image and the object it represents belong together.
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In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.
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I think seeing happens partly through the eyes, but not entirely.
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Pina Bausch's motto was Dance, otherwise we are lost. She really meant it, that dance was her answer to life and to the troubles and to the problems that can arise. That was her way to deal with everything, to dance.
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Movies are something people see all over the world because there is a certain need for it.
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What is generally referred to as American-style films are, in fact, studio productions.
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Every photo, every 'ONCE' in time is also the beginning of a story starting 'once upon a time...' Every photo is the first frame of a movie.
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The Cuban people have an amazingly strong and unbroken spirit.
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Take opera for example - to go to the opera you have to dress up in a tuxedo and pay lots of money.
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If anything, I see myself as a witness. I'd also be pleased, if you'd call me an interpreter. I try to hear and see the message of a place and pass it on, into that other language, the universal one of images.
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Filmmakers and critics wrote about each other and sometimes very harshly. This no longer exists.
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