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I remember that even my first impression of Italian cinema was pictures by paparazzi because my mom was reading all of these trash magazines with paparazzo pictures.

Wim Wenders

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Wim Wenders
Age: 79
Born: 1945
Born: August 14
Actor
Film Director
Film Producer
Filmmaker
Photographer
Screenwriter
University Teacher
Dusseldorf
Vimu Vendâsu
Ernst Wilhelm Wenders
Vimu Vendasu
Impression
Pictures
Mom
Reading
Paparazzi
Remember
Trash
Firsts
Italian
First
Magazines
Even
Cinema

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My advice is, don't spend money on therapy. Spend it in a record store.
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An image that is unseen can't sell anything. It is pure, therefore true, beautiful, in one word: innocent. As long as no eye contaminates it, it is in perfect unison with the world. If it is not seen, the image and the object it represents belong together.
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It's very hard to find critics or a magazine today that will publish material that is genuinely independent and written without any concern about being cut off some distributor's list or not be invited or flown into screenings.
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It's almost scary how stylish things can look if you take the color out - how much more you see the essence of things and how much more something can appear elegant.
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The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
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Entertainment today constantly emphasises the message that things are wonderful the way they are. But there is another kind of cinema, which says that change is possible and necessary and it's up to you.
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Whoever came up first with that saying a picture is worth a thousand words didn't understand the first thing about either one.
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Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism.
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Cinema is a worldwide phenomenon.
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The Cuban people have an amazingly strong and unbroken spirit.
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Don't worry about getting final cut, worry about making the best possible cut.
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Ibrahim tells his story without a grain of complaint, and this was true for all of the band members. This is very much part of the Cuban spirit and soul.
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To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
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Pina Bausch's motto was Dance, otherwise we are lost. She really meant it, that dance was her answer to life and to the troubles and to the problems that can arise. That was her way to deal with everything, to dance.
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Before you say cut, wait 5 seconds
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Many of the critics today get airline tickets, hotel accommodation, bags, beautiful photographs, gifts and other expenses paid by the distributors, and then are supposed to write serious articles about the movie.
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Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed.
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Filmmakers tell actors to adjust their body language, and the famous presence of the actor is his or her body language. That is what makes them special and a movie star. An actor's capital is his body.
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The most important question for me when I begin working on a film is where to start. For a book, what makes you convinced there is a story that is worthwhile?
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If you travel a lot, if you like roaming about in order to lose yourself, you can end up in the strangest places. I think it must be a kind of built-in radar, which often takes me to places that are either peculiarly quiet or peculiar in a quiet sort of way.
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