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I'm getting a little bored by the juxtaposition of American and other cinema. I no longer think this division is as true as it might have been in the 1980s, or the early part of the 90s.

Wim Wenders

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Wim Wenders
Age: 79
Born: 1945
Born: August 14
Actor
Film Director
Film Producer
Filmmaker
Photographer
Screenwriter
University Teacher
Dusseldorf
Vimu Vendâsu
Ernst Wilhelm Wenders
Vimu Vendasu
Part
Division
Littles
Cinema
Little
Bored
Might
Early
Think
Longer
Thinking
Getting
American
True
Juxtaposition

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Filmmakers and critics wrote about each other and sometimes very harshly. This no longer exists.
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Any film that supports the idea that things can be changed is a great film in my eyes.
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In the late 1980s the amount of German films was down to four or five percent of the market, and the remaining 95 percent were American. It is now 20 to 30 percent German productions.
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On the contrary a film can promote the idea of change without any political message whatsoever but in its form and language can tell people that they can change their lives and contribute to progressive changes in the world.
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Don't worry about getting final cut, worry about making the best possible cut.
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I sometimes feel fiction is the ideal preservation for real memories. Fiction is such a good place to keep things.
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Cinema is a worldwide phenomenon.
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The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
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If anything, I see myself as a witness. I'd also be pleased, if you'd call me an interpreter. I try to hear and see the message of a place and pass it on, into that other language, the universal one of images.
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Before you say cut, wait 5 seconds
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In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
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The more opinions you have, the less you see.
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Every photo, every 'ONCE' in time is also the beginning of a story starting 'once upon a time...' Every photo is the first frame of a movie.
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The most political decision you make is where you direct people's eyes. In other words, what you show people, day in and day out, is political...And the most politically indoctrinating thing you can do to a human being is to show him, every day, that there can be no change.
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Loving photography and wanting to be a painter, it all ended up in the process of filmmaking. It's strange professionally be to connected because it connects you to architecture, it connects you to painting, it connects you to writers, to actors. It connects you to really all of the arts.
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Many French directors, having now realised there was no more real criticism, that the standards of the past have gone, are very offended about the quality of film criticism.
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I think seeing happens partly through the eyes, but not entirely.
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Whoever came up first with that saying a picture is worth a thousand words didn't understand the first thing about either one.
Wim Wenders
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Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism.
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It's almost scary how stylish things can look if you take the color out - how much more you see the essence of things and how much more something can appear elegant.
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