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I'm getting a little bored by the juxtaposition of American and other cinema. I no longer think this division is as true as it might have been in the 1980s, or the early part of the 90s.

Wim Wenders

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Wim Wenders
Age: 79
Born: 1945
Born: August 14
Actor
Film Director
Film Producer
Filmmaker
Photographer
Screenwriter
University Teacher
Dusseldorf
Vimu Vendâsu
Ernst Wilhelm Wenders
Vimu Vendasu
True
Juxtaposition
Part
Division
Littles
Cinema
Little
Bored
Might
Early
Think
Longer
Thinking
Getting
American

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The reason I never wrote a novel is that I don't have what it takes to write characters, so they would all be talking differently. I lack that ability. If I were writing, they would all talk like me, and that's no good.
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Movies are something people see all over the world because there is a certain need for it.
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Pina Bausch's motto was Dance, otherwise we are lost. She really meant it, that dance was her answer to life and to the troubles and to the problems that can arise. That was her way to deal with everything, to dance.
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I remember that even my first impression of Italian cinema was pictures by paparazzi because my mom was reading all of these trash magazines with paparazzo pictures.
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There are a lot of things that dancers can do that actors cannot and actors can do that dancers cannot.
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The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
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It's a great lesson in modesty that you realize you're illiterate in a field that you think you're an expert in.
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The Yanks have colonized our subconscious.
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Every photo, every 'ONCE' in time is also the beginning of a story starting 'once upon a time...' Every photo is the first frame of a movie.
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Filmmakers tell actors to adjust their body language, and the famous presence of the actor is his or her body language. That is what makes them special and a movie star. An actor's capital is his body.
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Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings.
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I think seeing happens partly through the eyes, but not entirely.
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In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
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I think sometimes you have to just imagine something that looks pretty impossible. By imagining something that is impossible, automatically you wish you could make it possible.
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In the late 1980s the amount of German films was down to four or five percent of the market, and the remaining 95 percent were American. It is now 20 to 30 percent German productions.
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If you travel a lot, if you like roaming about in order to lose yourself, you can end up in the strangest places. I think it must be a kind of built-in radar, which often takes me to places that are either peculiarly quiet or peculiar in a quiet sort of way.
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Without dreams, there can be no courage. And without courage, there can be no action.
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Take opera for example - to go to the opera you have to dress up in a tuxedo and pay lots of money.
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For us music is mainly part of the entertainment world and is often a luxury.
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The beautiful image today means nothing. It's worthshit. In fact, it's almost as if it has the opposite effect, becauseyou're just like everything else out there.
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