Quote

Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings.

Wim Wenders

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Wim Wenders
Age: 79
Born: 1945
Born: August 14
Actor
Film Director
Film Producer
Filmmaker
Photographer
Screenwriter
University Teacher
Dusseldorf
Vimu Vendâsu
Ernst Wilhelm Wenders
Vimu Vendasu
Cities
Edward
Stage
Paintings
Looking
Grand
Bigs
Camera
Felt
Anywhere
Like
Cameras
City
Painting
Hopper

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Sex and violence was never really my cup of tea I was always more into sax and violins.
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Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism.
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I think seeing happens partly through the eyes, but not entirely.
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It's very hard to find critics or a magazine today that will publish material that is genuinely independent and written without any concern about being cut off some distributor's list or not be invited or flown into screenings.
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Filmmaking is really connected to life and all of the expressions that different arts found to allow access to life. Filmmaking touches on all of it.
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Pina Bausch's motto was Dance, otherwise we are lost. She really meant it, that dance was her answer to life and to the troubles and to the problems that can arise. That was her way to deal with everything, to dance.
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I heard that Trump said even smelling a book makes him feel tired.
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Movies are something people see all over the world because there is a certain need for it.
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Filmmakers and critics wrote about each other and sometimes very harshly. This no longer exists.
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Without dreams, there can be no courage. And without courage, there can be no action.
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I sometimes feel fiction is the ideal preservation for real memories. Fiction is such a good place to keep things.
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If you travel a lot, if you like roaming about in order to lose yourself, you can end up in the strangest places. I think it must be a kind of built-in radar, which often takes me to places that are either peculiarly quiet or peculiar in a quiet sort of way.
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The most important question for me when I begin working on a film is where to start. For a book, what makes you convinced there is a story that is worthwhile?
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In this age of consumerism film criticism all over the world - in America first but also in Europe - has become something that caters for the movie industry instead of being a counterbalance.
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Entertainment today constantly emphasises the message that things are wonderful the way they are. But there is another kind of cinema, which says that change is possible and necessary and it's up to you.
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If anything, I see myself as a witness. I'd also be pleased, if you'd call me an interpreter. I try to hear and see the message of a place and pass it on, into that other language, the universal one of images.
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Any film that supports the idea that things can be changed is a great film in my eyes.
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In books they don't have deleted scenes, like with DVDs. You could have your deleted scene in a book as well!
Wim Wenders
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On the contrary a film can promote the idea of change without any political message whatsoever but in its form and language can tell people that they can change their lives and contribute to progressive changes in the world.
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Loving photography and wanting to be a painter, it all ended up in the process of filmmaking. It's strange professionally be to connected because it connects you to architecture, it connects you to painting, it connects you to writers, to actors. It connects you to really all of the arts.
Wim Wenders