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Of course the French are making very credible movies and it is still one of the greatest nations in terms of world cinema but the real problem is the decay in film criticism.

Wim Wenders

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Wim Wenders
Age: 79
Born: 1945
Born: August 14
Actor
Film Director
Film Producer
Filmmaker
Photographer
Screenwriter
University Teacher
Dusseldorf
Vimu Vendâsu
Ernst Wilhelm Wenders
Vimu Vendasu
Making
Terms
Film
Movies
Stills
Greatest
Problem
Movie
Credible
Still
Courses
Decay
Real
Course
French
World
Term
Cinema
Nations
Criticism

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I think sometimes you have to just imagine something that looks pretty impossible. By imagining something that is impossible, automatically you wish you could make it possible.
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The last adventure left on this planet is creativity because we've been everywhere. There's not much left to explore. But there's a lot of exploration left in the human imagination.
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Final cut is overrated. Only fools keep insisting on always having the final word. The wise swallow their pride in order to get to the best possible cut.
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Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed.
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Whoever came up first with that saying a picture is worth a thousand words didn't understand the first thing about either one.
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It's very hard to find critics or a magazine today that will publish material that is genuinely independent and written without any concern about being cut off some distributor's list or not be invited or flown into screenings.
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If anything, I see myself as a witness. I'd also be pleased, if you'd call me an interpreter. I try to hear and see the message of a place and pass it on, into that other language, the universal one of images.
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It's a great lesson in modesty that you realize you're illiterate in a field that you think you're an expert in.
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Many French directors, having now realised there was no more real criticism, that the standards of the past have gone, are very offended about the quality of film criticism.
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To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
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I think seeing happens partly through the eyes, but not entirely.
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Everything is entertainment criticism is now entertainment and it seems that the French directors have woken up one day and suddenly realised that they were not backed up any more.
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The reason I never wrote a novel is that I don't have what it takes to write characters, so they would all be talking differently. I lack that ability. If I were writing, they would all talk like me, and that's no good.
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Entertainment today constantly emphasises the message that things are wonderful the way they are. But there is another kind of cinema, which says that change is possible and necessary and it's up to you.
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My advice is, don't spend money on therapy. Spend it in a record store.
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I'm getting a little bored by the juxtaposition of American and other cinema. I no longer think this division is as true as it might have been in the 1980s, or the early part of the 90s.
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An image that is unseen can't sell anything. It is pure, therefore true, beautiful, in one word: innocent. As long as no eye contaminates it, it is in perfect unison with the world. If it is not seen, the image and the object it represents belong together.
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The beautiful image today means nothing. It's worthshit. In fact, it's almost as if it has the opposite effect, becauseyou're just like everything else out there.
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The Cuban people have an amazingly strong and unbroken spirit.
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Loving photography and wanting to be a painter, it all ended up in the process of filmmaking. It's strange professionally be to connected because it connects you to architecture, it connects you to painting, it connects you to writers, to actors. It connects you to really all of the arts.
Wim Wenders