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In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.

Wim Wenders

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Wim Wenders
Age: 79
Born: 1945
Born: August 14
Actor
Film Director
Film Producer
Filmmaker
Photographer
Screenwriter
University Teacher
Dusseldorf
Vimu Vendâsu
Ernst Wilhelm Wenders
Vimu Vendasu
Fact
French
Facts
English
Film
Countries
Certain
Amazing
Recovered
Country
Films
German
Much
Audience
Italian
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Lasts
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Last
European

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Many of the critics today get airline tickets, hotel accommodation, bags, beautiful photographs, gifts and other expenses paid by the distributors, and then are supposed to write serious articles about the movie.
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Maybe it's the music that enables them to function like that, to always take everything as it comes and never complain about the misery, hardship or injustice.
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I think seeing happens partly through the eyes, but not entirely.
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I sometimes feel fiction is the ideal preservation for real memories. Fiction is such a good place to keep things.
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The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
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Every photo, every 'ONCE' in time is also the beginning of a story starting 'once upon a time...' Every photo is the first frame of a movie.
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In the late 1980s the amount of German films was down to four or five percent of the market, and the remaining 95 percent were American. It is now 20 to 30 percent German productions.
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Before you say cut, wait 5 seconds
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On the contrary a film can promote the idea of change without any political message whatsoever but in its form and language can tell people that they can change their lives and contribute to progressive changes in the world.
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Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed.
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Whoever came up first with that saying a picture is worth a thousand words didn't understand the first thing about either one.
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The Yanks have colonized our subconscious.
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The beautiful image today means nothing. It's worthshit. In fact, it's almost as if it has the opposite effect, becauseyou're just like everything else out there.
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So I am getting a little bored with defining one type of film as American and the other European or from somewhere else because the division is no longer true.
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If you travel a lot, if you like roaming about in order to lose yourself, you can end up in the strangest places. I think it must be a kind of built-in radar, which often takes me to places that are either peculiarly quiet or peculiar in a quiet sort of way.
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To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
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Pina Bausch's motto was Dance, otherwise we are lost. She really meant it, that dance was her answer to life and to the troubles and to the problems that can arise. That was her way to deal with everything, to dance.
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Everything is entertainment criticism is now entertainment and it seems that the French directors have woken up one day and suddenly realised that they were not backed up any more.
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Take opera for example - to go to the opera you have to dress up in a tuxedo and pay lots of money.
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Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings.
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