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In fact, it is amazing how much European films - Italian, French, German and English - have recovered a certain territory of the audience in their countries over the last few years.

Wim Wenders

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Wim Wenders
Age: 79
Born: 1945
Born: August 14
Actor
Film Director
Film Producer
Filmmaker
Photographer
Screenwriter
University Teacher
Dusseldorf
Vimu Vendâsu
Ernst Wilhelm Wenders
Vimu Vendasu
Last
European
Fact
French
Facts
English
Film
Countries
Certain
Amazing
Recovered
Country
Films
German
Much
Audience
Italian
Years
Lasts
Territory

More quotes by Wim Wenders

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But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
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Entertainment today constantly emphasises the message that things are wonderful the way they are. But there is another kind of cinema, which says that change is possible and necessary and it's up to you.
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The Yanks have colonized our subconscious.
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To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
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Everything is entertainment criticism is now entertainment and it seems that the French directors have woken up one day and suddenly realised that they were not backed up any more.
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My advice is, don't spend money on therapy. Spend it in a record store.
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So I am getting a little bored with defining one type of film as American and the other European or from somewhere else because the division is no longer true.
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In books they don't have deleted scenes, like with DVDs. You could have your deleted scene in a book as well!
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I remember that even my first impression of Italian cinema was pictures by paparazzi because my mom was reading all of these trash magazines with paparazzo pictures.
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Maybe it's the music that enables them to function like that, to always take everything as it comes and never complain about the misery, hardship or injustice.
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Ibrahim tells his story without a grain of complaint, and this was true for all of the band members. This is very much part of the Cuban spirit and soul.
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If anything, I see myself as a witness. I'd also be pleased, if you'd call me an interpreter. I try to hear and see the message of a place and pass it on, into that other language, the universal one of images.
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Photographs put time into such a perspective. They humble us and our selfish memories.
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Loving photography and wanting to be a painter, it all ended up in the process of filmmaking. It's strange professionally be to connected because it connects you to architecture, it connects you to painting, it connects you to writers, to actors. It connects you to really all of the arts.
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The most important question for me when I begin working on a film is where to start. For a book, what makes you convinced there is a story that is worthwhile?
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If you travel a lot, if you like roaming about in order to lose yourself, you can end up in the strangest places. I think it must be a kind of built-in radar, which often takes me to places that are either peculiarly quiet or peculiar in a quiet sort of way.
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The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
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It's almost scary how stylish things can look if you take the color out - how much more you see the essence of things and how much more something can appear elegant.
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The more opinions you have, the less you see.
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For years all I seemed to be doing was lobbying politicians and others to persuade them that European culture needed movies, and that we had to protect it.
Wim Wenders