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William Monahan
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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
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Writer
Boston
Massachusetts
Claude La Badarian
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More quotes by William Monahan
I wanted to do London Boulevard because I saw the potential of a story about two people who need each other desperately, who love at first sight, as one does, and above all a story in which no one is what they appear to be.
William Monahan
I don't watch anything. I work so much. If I see a film, it's usually that I'll go in after working 15 hours and slam in The Bridge on the River Kwai or something.
William Monahan
Saying directors don't write because they don't type is very wrong, it's like saying Dylan doesn't write music because he doesn't write notation.
William Monahan
My gratitude to Ridley [Scott] isn't anything new. I named one of my kids after him. But he's a very important person to me.
William Monahan
I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.
William Monahan
If you see, as I do, in edited film, you're going to end up as a director.
William Monahan
I've got things I have to do in fiction to sort of register my existence, before I kick the bucket, but it will never be my living and I know it. Plus it never moved fast enough for me and lacked cut and thrust. I need to be in the real show.
William Monahan
I went into directing having observed and learned from the best. There was a certain standard of procedure. I found that I was equal to it. I thoroughly enjoyed directing, I liked it a lot. It's very satisfactory to see that you can do it. The art takes care of itself.
William Monahan
Star Wars was great at the beginning and crap at the end while Star Trek has always been interesting, and the difference is in the writing, and the thematic intentions.
William Monahan
I was always entirely about work, about getting where I am now. If I'm not working I'm thinking about it, though at some point I learned not to talk about it very much.
William Monahan
If you're playing around with a film, you're just playing around with it. But if it has to go into theaters, you get yourself into gear and finish it.
William Monahan
In reviewing films, people get quite liberal about saying the script this and the script that, when they've never read the script any more than they've read the latest report on Norwegian herring landings.
William Monahan
When I was very young, you would get the TV listings from The Globe and The Herald, and you would basically go through them, circle things, and map out your viewing week.
William Monahan
When they see you get what you want and move on, quickly, you've done a contract with the crew from that point. In Britain if the sparks call you Guv on day two, you never need an award of any other kind.
William Monahan
Doing crime films...maybe it's to some extent a matter of taste. Certainly my first novel had a criminal element and was about the similarity of criminals and artists. Pretextually, it was sort of a money bag thriller. But it was aggressively not what it seemed to be. It was kind of Duchamps.
William Monahan
Actors are players and if they're hot, or onto something, you let them go, or you and the actor can both get on to something. I always run out with lines as I think of them.
William Monahan
There's only one way to prep, so far as I know. You have your script, you hire the people you want, you find your locations and your setups, everybody shows up and you shoot the film.
William Monahan
I can work in London. A British journalist asked me if I had any trouble working with an English crew, as an American, and I said I might have if I was from Scotland, but I'm from Massachusetts, which is sort of Oxfordshire, but more intellectual. That's kind of unforgivable but you've got to let them have it.
William Monahan
In all honesty a gangster picture was the easiest kind of film for me to get made.
William Monahan
London exists normally in a state of bleach bypass. There's the artistic context of Blow Up and Performance and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
William Monahan