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I don't watch anything. I work so much. If I see a film, it's usually that I'll go in after working 15 hours and slam in The Bridge on the River Kwai or something.

William Monahan

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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Anything
River
Work
Rivers
Much
Usually
Something
Watches
Watch
Working
Slam
Hours
Bridge
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Bridges

More quotes by William Monahan

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You evolve in the ways in which you are precious. When you are the director, you are also continuing to write on the floor as you go along.
William Monahan
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You can believe in originals only if you just don't know their context within literature. Certainly I believe in originality, but it lies with the teller, not the tale.
William Monahan
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The thing about movies is if somebody has an idea that works, it's in, and I say that as a screenwriter as well as a director.
William Monahan
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Even though a screenplay is performed only once, unlike other forms of drama, it's still a performance in itself, and unless it's a great performance, odds are that actors will not come, and a movie will never be made.
William Monahan
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London exists normally in a state of bleach bypass. There's the artistic context of Blow Up and Performance and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
William Monahan
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London matters to me because it's the center of what I do for a living and has been since Tudor times.
William Monahan
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If you write a screenplay that gets circulated, you have a bigger readership than any literary novelist. And it's an educated audience as well.
William Monahan
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I cut London Boulevard pretty aggressively, but I liked the transitions and the elliptical feel that I got. It's not an exceptionally easy film to follow. You have to know that the paparazzo looks like Mark David Chapman. He hasn't got an expositional sign on him.
William Monahan
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I write drama in the English language. If I wasn't working in London I'd be doing something wrong.
William Monahan
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I never write with particular actors in mind.
William Monahan
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There's only one way to prep, so far as I know. You have your script, you hire the people you want, you find your locations and your setups, everybody shows up and you shoot the film.
William Monahan
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I came into screenwriting from an odd direction, because the first screenplay that I read was and is better as writing than the top one percent of literary novels.
William Monahan
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Wisdom is not having illusions, especially anything in your own mind that elevates you above others.
William Monahan
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I can work in London. A British journalist asked me if I had any trouble working with an English crew, as an American, and I said I might have if I was from Scotland, but I'm from Massachusetts, which is sort of Oxfordshire, but more intellectual. That's kind of unforgivable but you've got to let them have it.
William Monahan
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As far as executing work is concerned, you do it all in order. You do it in contractual order. There's no overlap, it's just continuation of your ordinary work. You move from one project into another.
William Monahan
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I learned from Ridley [Scott] how to come out of the trailer at a fast walk and make your decisions and keep it going. We were very much on time and under budget, as they say. That was a very important thing for me and very satisfactory.
William Monahan
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In Boston terms I was everyone and no one, with no social investment, no social insecurity, sort of Imitation of Christ in one hand and The Education of Henry Adams in the other, and because I was part of nothing I could observe everything without having anything personal invested in the findings.
William Monahan
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I'm more from a double world where I wasn't part of anything or invested in anything, because I was Irish, and very Irish, but also the other part of my family, not that it had airs, or money, was descended from the first minister on Cape Ann in the 1620s.
William Monahan
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The novel may be dead as a commercial form. When art forms things die as commercial forms, something happens to the practice of those arts that isn't very pleasant. It used to be that a poet like Tennyson could keep his house and his coach-and-four and his staff of six servants on the income from poetry. That doesn't happen anymore.
William Monahan
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Get Carter is a classic, but it did nothing in the United States. It came out on a double bill with a Frank Sinatra western.
William Monahan