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I'm interested in stories about human beings. I don't care where or when they are set.

William Monahan

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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Stories
Care
Human
Humans
Beings
Interested

More quotes by William Monahan

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I learned my job from English dramatists. Tennessee Williams was no good for me, New York stuff was no good to me.
William Monahan
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I need as much of the business of making a film to be in my own workspace. It really ought to be a bit more like doing a novel, alone, at first. I'm feeling my way.
William Monahan
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As a director, you're given a tremendous apparatus to work with, and very great talents are available to you.
William Monahan
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By the time someone gave me some samples of standard screenplays I was already beyond that stuff, because I was not only a tinkerer in ways to do things, I'd started from Dylan Thomas. As a screen dramatist he was a very intense visualist, with great timing and fluency.
William Monahan
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Whatever you cut when there's no deadline isn't really a cut. You're just pushing colors around.
William Monahan
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I'm a guy whose first motion picture experience was seeing Ridley Scott glide past on a camera on a hundred and fifty million dollar film, and prep two movies, and there is no way to overstate that when you've worked with Ridley, it's like having been a quarterdeck lieutenant to Lord Nelson.
William Monahan
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Getting the correct writer is simply like casting. You wouldn't hire an actor in order to tell him how to work. He knows how to work, which is why you hired him.
William Monahan
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Casting is always subject to availabilities.
William Monahan
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I've always been a bit repelled by Sunset Boulevard, which is wrong about almost everything it touches, whether it's fame, Hollywood, screenwriters, or old ladies. Sunset Boulevard would only make sense to me if it was about John Gilbert and the pool boy.
William Monahan
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Actors are players and if they're hot, or onto something, you let them go, or you and the actor can both get on to something. I always run out with lines as I think of them.
William Monahan
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I'm usually the first guy to propose a change because I'm continuing my process. We're in a context, in this business, a context in which most screenplays work on a very modest level of achievement, in that a lot of them aren't really written by what you would call writers.
William Monahan
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I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.
William Monahan
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There's only one way to prep, so far as I know. You have your script, you hire the people you want, you find your locations and your setups, everybody shows up and you shoot the film.
William Monahan
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If TV seems improved, I think it's been enhanced by violence and sex permissible on cable, as well as better cinematography, but in the end it's really only soap operas like your grandmother's afternoon stories and that's all it wants to be or has to be.
William Monahan
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Get Carter is a classic, but it did nothing in the United States. It came out on a double bill with a Frank Sinatra western.
William Monahan
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I cut London Boulevard pretty aggressively, but I liked the transitions and the elliptical feel that I got. It's not an exceptionally easy film to follow. You have to know that the paparazzo looks like Mark David Chapman. He hasn't got an expositional sign on him.
William Monahan
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I write drama in the English language. If I wasn't working in London I'd be doing something wrong.
William Monahan
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The only answer to Are you Beatles or Stones? is, I'm both.
William Monahan
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I never viewed screen drama as a vulgar form, or a lesser one, and I've never written it left-handed.
William Monahan
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I love editorial and sound and music, and I was working with the best people, so you learn a lot.
William Monahan