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My gratitude to Ridley [Scott] isn't anything new. I named one of my kids after him. But he's a very important person to me.

William Monahan

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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Persons
Person
Important
Ridley
Scott
Named
Gratitude
Kids
Anything

More quotes by William Monahan

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I'm a homebody, as many writers are, and need to be by myself, and I like to be by the Atlantic Ocean.
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I think that scripts should be published, but they are published, really, because when you're a screenwriter, your stuff ends up in samizdat form on thousands and thousands of desks and shelves across the industry.
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You can believe in originals only if you just don't know their context within literature. Certainly I believe in originality, but it lies with the teller, not the tale.
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You know a shooter when you see it. At least the creative people do. If a picture isn't obvious in the first draft you're kind of screwed.
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If you decide to do Hamlet in a funny hat staged in a ruined factory, it doesn't make you Shakespeare.
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Casting is always subject to availabilities.
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If you change a location opportunistically, to gain a day on the schedule, which I did more than once, you have to re-rig everything creatively on the spot, and you not only have to be able to do that, but do it with great fluency to keep moving. I used to go apeshit when anything got changed in a film but you live and learn, and I have learned.
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I'm interested in stories about human beings. I don't care where or when they are set.
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Out of all of the Star Trek movies, I happen to like the most recent one the best. I think it was the best one ever done.
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Redrafts can be very lucrative for me, but you must understand that if films go through many drafts or writers it's because someone doesn't want to do the picture and never will.
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I cut London Boulevard pretty aggressively, but I liked the transitions and the elliptical feel that I got. It's not an exceptionally easy film to follow. You have to know that the paparazzo looks like Mark David Chapman. He hasn't got an expositional sign on him.
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For some reason, I seem to work well with actors. I love working with them.
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I learned my job from English dramatists. Tennessee Williams was no good for me, New York stuff was no good to me.
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In reviewing films, people get quite liberal about saying the script this and the script that, when they've never read the script any more than they've read the latest report on Norwegian herring landings.
William Monahan
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If TV seems improved, I think it's been enhanced by violence and sex permissible on cable, as well as better cinematography, but in the end it's really only soap operas like your grandmother's afternoon stories and that's all it wants to be or has to be.
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You don't write for actors. Actors come for characters you've made up.
William Monahan
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Dialogue is used to reveal not what we want to say, but what we are trying to hide.
William Monahan
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I'm more from a double world where I wasn't part of anything or invested in anything, because I was Irish, and very Irish, but also the other part of my family, not that it had airs, or money, was descended from the first minister on Cape Ann in the 1620s.
William Monahan
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Look at what people are trying to conceal, and you’ll see that they’re revealing everything.
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The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.
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