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There were days when you would get the TV listings from The Globe and The Herald. Video was out, but nobody could afford it...expect for my uncle George, who was a second father to me, and had every film in the world, and every book.
William Monahan
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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Second
Globe
Days
Uncles
Father
Globes
Film
Afford
Book
George
Every
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Nobody
Uncle
More quotes by William Monahan
When I'm shooting, as much as writing, I see edited footage in my mind, so I work that way, and it's economical.
William Monahan
I hate doing anything in offices. I either want to be out in the world or in my own environment - and it should be your own environment that you work in.
William Monahan
I had a long writing history behind me before I got into anything in film. It comprehended science fiction, it comprehended historical, it comprehended, you know, just about everything that you can think of.
William Monahan
I'd been working so hard making the film that I hadn't even emotionally processed the fact that I was a director.
William Monahan
Star Wars was great at the beginning and crap at the end while Star Trek has always been interesting, and the difference is in the writing, and the thematic intentions.
William Monahan
You don't write for actors. Actors come for characters you've made up.
William Monahan
The empirical is very important, but merit is inherent and not acquired. A university is massively important because you can see where you stand naturally in the ranks, and try yourself out, but education is just reading and understanding what you read.
William Monahan
Certainly some guy eating cardboard in Cincinnati has lost any ordinary impetus to review your novel decently if he's just read you just got six figures out of Warner Bros - which incidentally was not true.
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I'm not a precious text protector, or anything like that, you know, because it's a much more vital form than that. You have to rock.
William Monahan
Look at what people are trying to conceal, and you’ll see that they’re revealing everything.
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Without English art, I never would have understood myself, my own family, or the New England world I lived in.
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Get Carter is a classic, but it did nothing in the United States. It came out on a double bill with a Frank Sinatra western.
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Novelists who get shitty about screenwriting invariably can't do it, or they can't hack it in the world of what's really, in truth, very bold and very public enterprise.
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I don't move until an actor is happy, but it was very important to me as a so-called first time director to keep the machine moving. It was especially important to me to keep it moving and not be some kind of precious writer-director.
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There's only one way to prep, so far as I know. You have your script, you hire the people you want, you find your locations and your setups, everybody shows up and you shoot the film.
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London exists normally in a state of bleach bypass. There's the artistic context of Blow Up and Performance and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
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I love editorial and sound and music, and I was working with the best people, so you learn a lot.
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I think the only real referent for anybody writing drama is probably Hamlet. You have the most extreme tragic drama, this sort of blood-boltered thing, but it's also very funny, which is simply a matter of the playwright being alive and observant and entertaining, and understanding not only the world but what will play.
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When I was young I was only thinking of writing, and whatever was going on was unreal and comparatively unimportant.
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If you need someone to come out of the sewer with a wire you don't hire someone who needs laborious collective instruction. You let someone do his job, whether he's a focus puller or a surgeon.
William Monahan
