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It wasn't just British gangster films that really did for me as a kid, personally, it was British films in general.
William Monahan
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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Wasn
Film
Kids
Gangster
Really
Gangsters
Personally
British
Films
General
More quotes by William Monahan
If you see, as I do, in edited film, you're going to end up as a director.
William Monahan
If TV seems improved, I think it's been enhanced by violence and sex permissible on cable, as well as better cinematography, but in the end it's really only soap operas like your grandmother's afternoon stories and that's all it wants to be or has to be.
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I have a lot of stuff that I never published because I always had a sense that novels were not finally going to be the way I made my living, because the form was dying commercially.
William Monahan
I don't trust a lot of popular films because they seem to indicate that people would like to be super-heroes or vampires, and that's the last thing I mean by the useful mirror of art.
William Monahan
T.S. Eliot, who learned to swim at the same beach as I did, just threw in the towel and moved to Cheyne Walk. I'm not going to do that but I'm not scared of the open channel between me and Britain.
William Monahan
Without English art, I never would have understood myself, my own family, or the New England world I lived in.
William Monahan
Look at what people are trying to conceal, and you’ll see that they’re revealing everything.
William Monahan
You can believe in originals only if you just don't know their context within literature. Certainly I believe in originality, but it lies with the teller, not the tale.
William Monahan
You just have to know what you want and what you're doing and it leads to a kind of general well-being, which I think you sensed when you were there.
William Monahan
On historical you take the known facts, dramatize them, and then stitch them together by invention. It's a projective thing.
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I learned from Ridley [Scott] how to come out of the trailer at a fast walk and make your decisions and keep it going. We were very much on time and under budget, as they say. That was a very important thing for me and very satisfactory.
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I have no reason as a director to have films go up in versions that I don't like. My only experience of film after ten years is honestly that if a picture doesn't get second-guessed you're looking at four Oscars, and if a picture does get second-guessed, you're not. I've got an advanced degree in that lesson.
William Monahan
I love audiences, but they're not there to drive the bus. Whenever you ask opinions or anticipate opinions you can get pretty terrible art, or non-art. You need a single guiding intelligence, even in a collaborative form.
William Monahan
In Boston terms I was everyone and no one, with no social investment, no social insecurity, sort of Imitation of Christ in one hand and The Education of Henry Adams in the other, and because I was part of nothing I could observe everything without having anything personal invested in the findings.
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Get Carter is a classic, but it did nothing in the United States. It came out on a double bill with a Frank Sinatra western.
William Monahan
Some reviewer might be out there saying, obviously Edge of Darkness didn't come off because of the script, blah blah blah, but everybody has read the script, except the journalist attacking it.
William Monahan
The thing about movies is if somebody has an idea that works, it's in, and I say that as a screenwriter as well as a director.
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I'm not very precious at all, which I think people find surprising.
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If you're playing around with a film, you're just playing around with it. But if it has to go into theaters, you get yourself into gear and finish it.
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I came into screenwriting from an odd direction, because the first screenplay that I read was and is better as writing than the top one percent of literary novels.
William Monahan