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It wasn't just British gangster films that really did for me as a kid, personally, it was British films in general.
William Monahan
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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Films
General
Wasn
Film
Kids
Gangster
Really
Gangsters
Personally
British
More quotes by William Monahan
I think probably everybody works most on the beginning and the ending.
William Monahan
I was always entirely about work, about getting where I am now. If I'm not working I'm thinking about it, though at some point I learned not to talk about it very much.
William Monahan
Refreshing honesty has been getting me in trouble since I was five, but it's probably had some positive effects - like not being a liar.
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The empirical is very important, but merit is inherent and not acquired. A university is massively important because you can see where you stand naturally in the ranks, and try yourself out, but education is just reading and understanding what you read.
William Monahan
I don't move until an actor is happy, but it was very important to me as a so-called first time director to keep the machine moving. It was especially important to me to keep it moving and not be some kind of precious writer-director.
William Monahan
I'd been working so hard making the film that I hadn't even emotionally processed the fact that I was a director.
William Monahan
You know a shooter when you see it. At least the creative people do. If a picture isn't obvious in the first draft you're kind of screwed.
William Monahan
Without English art, I never would have understood myself, my own family, or the New England world I lived in.
William Monahan
I think the only real referent for anybody writing drama is probably Hamlet. You have the most extreme tragic drama, this sort of blood-boltered thing, but it's also very funny, which is simply a matter of the playwright being alive and observant and entertaining, and understanding not only the world but what will play.
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I never work until I have a deadline. You have to fit so much in a given day that you just don't get serious until you know when the deadline is.
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If you change a location opportunistically, to gain a day on the schedule, which I did more than once, you have to re-rig everything creatively on the spot, and you not only have to be able to do that, but do it with great fluency to keep moving. I used to go apeshit when anything got changed in a film but you live and learn, and I have learned.
William Monahan
In all honesty a gangster picture was the easiest kind of film for me to get made.
William Monahan
When I was very young, you would get the TV listings from The Globe and The Herald, and you would basically go through them, circle things, and map out your viewing week.
William Monahan
When I started writing screenplays, as early as I started writing anything, I hadn't seen any ordinary screenplays. I saw movies and figured out how I thought they should be written.
William Monahan
I came into screenwriting from an odd direction, because the first screenplay that I read was and is better as writing than the top one percent of literary novels.
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Certainly some guy eating cardboard in Cincinnati has lost any ordinary impetus to review your novel decently if he's just read you just got six figures out of Warner Bros - which incidentally was not true.
William Monahan
There's always a great hue and cry when you sign onto a remake, and that's always been sort of annoying me and freaking me out. This profession that we're in is drama. What drama has been since the beginning is, you restage plays with new casts, or a writer will take a new run at an old story.
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I never write with particular actors in mind.
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If you're playing around with a film, you're just playing around with it. But if it has to go into theaters, you get yourself into gear and finish it.
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I never viewed screen drama as a vulgar form, or a lesser one, and I've never written it left-handed.
William Monahan
