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Some reviewer might be out there saying, obviously Edge of Darkness didn't come off because of the script, blah blah blah, but everybody has read the script, except the journalist attacking it.
William Monahan
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William Monahan
Age: 63
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Darkness
Attacking
Saying
Edge
Everybody
Journalist
Read
Script
Didn
Edges
Might
Scripts
Reviewer
Come
Obviously
Reviewers
Except
Blah
More quotes by William Monahan
The novel ceases to be looked at as a novel. Such is the overwhelming power of motion pictures. Gore Vidal pointed out that the movies are the only thing anybody's really interested in. The association with movies and movie money can, and certainly did in my case, occlude a novel as a novel.
William Monahan
Getting the correct writer is simply like casting. You wouldn't hire an actor in order to tell him how to work. He knows how to work, which is why you hired him.
William Monahan
As far as executing work is concerned, you do it all in order. You do it in contractual order. There's no overlap, it's just continuation of your ordinary work. You move from one project into another.
William Monahan
T.S. Eliot, who learned to swim at the same beach as I did, just threw in the towel and moved to Cheyne Walk. I'm not going to do that but I'm not scared of the open channel between me and Britain.
William Monahan
I don't watch anything. I work so much. If I see a film, it's usually that I'll go in after working 15 hours and slam in The Bridge on the River Kwai or something.
William Monahan
I never write with particular actors in mind.
William Monahan
There were days when you would get the TV listings from The Globe and The Herald. Video was out, but nobody could afford it...expect for my uncle George, who was a second father to me, and had every film in the world, and every book.
William Monahan
As first time director, though, you're like a new officer coming up to be in charge of very serious veterans, and you're always going to have guys looking at each other for the first day until they realize you're not screwing around.
William Monahan
I think that scripts should be published, but they are published, really, because when you're a screenwriter, your stuff ends up in samizdat form on thousands and thousands of desks and shelves across the industry.
William Monahan
When I was young I was only thinking of writing, and whatever was going on was unreal and comparatively unimportant.
William Monahan
Actors are players and if they're hot, or onto something, you let them go, or you and the actor can both get on to something. I always run out with lines as I think of them.
William Monahan
You never know what people are going to go and see.
William Monahan
Most films go out like skydivers who have had their chutes packed by a committee of blind schizophrenics.
William Monahan
I'm not a precious text protector, or anything like that, you know, because it's a much more vital form than that. You have to rock.
William Monahan
I'm a homebody, as many writers are, and need to be by myself, and I like to be by the Atlantic Ocean.
William Monahan
I learned from Ridley [Scott] how to come out of the trailer at a fast walk and make your decisions and keep it going. We were very much on time and under budget, as they say. That was a very important thing for me and very satisfactory.
William Monahan
The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.
William Monahan
I have no reason as a director to have films go up in versions that I don't like. My only experience of film after ten years is honestly that if a picture doesn't get second-guessed you're looking at four Oscars, and if a picture does get second-guessed, you're not. I've got an advanced degree in that lesson.
William Monahan
I'm interested in stories about human beings. I don't care where or when they are set.
William Monahan
When I was a kid in London there was just something about the light and there's something about the way London went onto film in those days, whether it was Technicolor or Technicolor plus the flatness of the light, or whatever.
William Monahan