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The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.
William Monahan
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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Days
Maybe
Form
Myths
Literary
Myth
Wake
More quotes by William Monahan
As far as executing work is concerned, you do it all in order. You do it in contractual order. There's no overlap, it's just continuation of your ordinary work. You move from one project into another.
William Monahan
I don't think the latest Star Wars pictures have any artistic intentions, but the original picture opened up epic science fiction.
William Monahan
I need as much of the business of making a film to be in my own workspace. It really ought to be a bit more like doing a novel, alone, at first. I'm feeling my way.
William Monahan
For some reason, I seem to work well with actors. I love working with them.
William Monahan
You just have to know what you want and what you're doing and it leads to a kind of general well-being, which I think you sensed when you were there.
William Monahan
You don't write for actors. Actors come for characters you've made up.
William Monahan
I've got things I have to do in fiction to sort of register my existence, before I kick the bucket, but it will never be my living and I know it. Plus it never moved fast enough for me and lacked cut and thrust. I need to be in the real show.
William Monahan
You can believe in originals only if you just don't know their context within literature. Certainly I believe in originality, but it lies with the teller, not the tale.
William Monahan
If you change a location opportunistically, to gain a day on the schedule, which I did more than once, you have to re-rig everything creatively on the spot, and you not only have to be able to do that, but do it with great fluency to keep moving. I used to go apeshit when anything got changed in a film but you live and learn, and I have learned.
William Monahan
When I'm shooting, as much as writing, I see edited footage in my mind, so I work that way, and it's economical.
William Monahan
There's only one way to prep, so far as I know. You have your script, you hire the people you want, you find your locations and your setups, everybody shows up and you shoot the film.
William Monahan
I've always been a bit repelled by Sunset Boulevard, which is wrong about almost everything it touches, whether it's fame, Hollywood, screenwriters, or old ladies. Sunset Boulevard would only make sense to me if it was about John Gilbert and the pool boy.
William Monahan
As first time director, though, you're like a new officer coming up to be in charge of very serious veterans, and you're always going to have guys looking at each other for the first day until they realize you're not screwing around.
William Monahan
When I was young I was only thinking of writing, and whatever was going on was unreal and comparatively unimportant.
William Monahan
I don't watch anything. I work so much. If I see a film, it's usually that I'll go in after working 15 hours and slam in The Bridge on the River Kwai or something.
William Monahan
When I was very young, you would get the TV listings from The Globe and The Herald, and you would basically go through them, circle things, and map out your viewing week.
William Monahan
I'm a homebody, as many writers are, and need to be by myself, and I like to be by the Atlantic Ocean.
William Monahan
You know a shooter when you see it. At least the creative people do. If a picture isn't obvious in the first draft you're kind of screwed.
William Monahan
I'm usually the first guy to propose a change because I'm continuing my process. We're in a context, in this business, a context in which most screenplays work on a very modest level of achievement, in that a lot of them aren't really written by what you would call writers.
William Monahan
London exists normally in a state of bleach bypass. There's the artistic context of Blow Up and Performance and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
William Monahan
