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The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.
William Monahan
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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Form
Myths
Literary
Myth
Wake
Days
Maybe
More quotes by William Monahan
The thing about movies is if somebody has an idea that works, it's in, and I say that as a screenwriter as well as a director.
William Monahan
The novel ceases to be looked at as a novel. Such is the overwhelming power of motion pictures. Gore Vidal pointed out that the movies are the only thing anybody's really interested in. The association with movies and movie money can, and certainly did in my case, occlude a novel as a novel.
William Monahan
When they see you get what you want and move on, quickly, you've done a contract with the crew from that point. In Britain if the sparks call you Guv on day two, you never need an award of any other kind.
William Monahan
When I was a kid in London there was just something about the light and there's something about the way London went onto film in those days, whether it was Technicolor or Technicolor plus the flatness of the light, or whatever.
William Monahan
I love editorial and sound and music, and I was working with the best people, so you learn a lot.
William Monahan
It's interesting to think that my children know more about the process than many mature critics.
William Monahan
I write drama in the English language. If I wasn't working in London I'd be doing something wrong.
William Monahan
You know a shooter when you see it. At least the creative people do. If a picture isn't obvious in the first draft you're kind of screwed.
William Monahan
Redrafts can be very lucrative for me, but you must understand that if films go through many drafts or writers it's because someone doesn't want to do the picture and never will.
William Monahan
I always write as I like to write, and I've been thinking about it because I honestly didn't realize how different my stuff is, until I started looking at other people's scripts as a producer.
William Monahan
For some reason, I seem to work well with actors. I love working with them.
William Monahan
I have no reason as a director to have films go up in versions that I don't like. My only experience of film after ten years is honestly that if a picture doesn't get second-guessed you're looking at four Oscars, and if a picture does get second-guessed, you're not. I've got an advanced degree in that lesson.
William Monahan
I've got things I have to do in fiction to sort of register my existence, before I kick the bucket, but it will never be my living and I know it. Plus it never moved fast enough for me and lacked cut and thrust. I need to be in the real show.
William Monahan
I'm a guy whose first motion picture experience was seeing Ridley Scott glide past on a camera on a hundred and fifty million dollar film, and prep two movies, and there is no way to overstate that when you've worked with Ridley, it's like having been a quarterdeck lieutenant to Lord Nelson.
William Monahan
I don't watch anything. I work so much. If I see a film, it's usually that I'll go in after working 15 hours and slam in The Bridge on the River Kwai or something.
William Monahan
You never know what people are going to go and see.
William Monahan
Getting the correct writer is simply like casting. You wouldn't hire an actor in order to tell him how to work. He knows how to work, which is why you hired him.
William Monahan
On historical you take the known facts, dramatize them, and then stitch them together by invention. It's a projective thing.
William Monahan
In reviewing films, people get quite liberal about saying the script this and the script that, when they've never read the script any more than they've read the latest report on Norwegian herring landings.
William Monahan
Dialogue is used to reveal not what we want to say, but what we are trying to hide.
William Monahan
