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I was particularly anxious that I shoot the tires out of the class system. All it is these days is a hobby of certain masochists, and certain sadists.
William Monahan
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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Certain
Hobbies
Tire
Anxious
Shoot
Particularly
Masochists
System
Sadists
Days
Tires
Class
Hobby
More quotes by William Monahan
I've got things I have to do in fiction to sort of register my existence, before I kick the bucket, but it will never be my living and I know it. Plus it never moved fast enough for me and lacked cut and thrust. I need to be in the real show.
William Monahan
I'm not very precious at all, which I think people find surprising.
William Monahan
Casting is always subject to availabilities.
William Monahan
You're not turning the picture over to a system or a process, you are the process, and the most important thing is to have things exactly as you want them.
William Monahan
I love audiences, but they're not there to drive the bus. Whenever you ask opinions or anticipate opinions you can get pretty terrible art, or non-art. You need a single guiding intelligence, even in a collaborative form.
William Monahan
I need as much of the business of making a film to be in my own workspace. It really ought to be a bit more like doing a novel, alone, at first. I'm feeling my way.
William Monahan
I have a lot of stuff that I never published because I always had a sense that novels were not finally going to be the way I made my living, because the form was dying commercially.
William Monahan
I was always entirely about work, about getting where I am now. If I'm not working I'm thinking about it, though at some point I learned not to talk about it very much.
William Monahan
I think probably everybody works most on the beginning and the ending.
William Monahan
The thing about The Departed, the x-factor that people can't quite put their finger on, is that it deals clearly with class and accent all these things that are fundamental to Boston, but previously anomalous or even prohibited in demotic American films.
William Monahan
Out of all of the Star Trek movies, I happen to like the most recent one the best. I think it was the best one ever done.
William Monahan
Novelists who get shitty about screenwriting invariably can't do it, or they can't hack it in the world of what's really, in truth, very bold and very public enterprise.
William Monahan
I wanted to do London Boulevard because I saw the potential of a story about two people who need each other desperately, who love at first sight, as one does, and above all a story in which no one is what they appear to be.
William Monahan
All of a sudden I pulled up short and harked back to Ridley [Scott] holding up the script in Manhattan, at the St. Regis breakfast room, and saying, It's very visual, isn't it, and realized it was the key to my whole life since then.
William Monahan
I had a long writing history behind me before I got into anything in film. It comprehended science fiction, it comprehended historical, it comprehended, you know, just about everything that you can think of.
William Monahan
I'm usually the first guy to propose a change because I'm continuing my process. We're in a context, in this business, a context in which most screenplays work on a very modest level of achievement, in that a lot of them aren't really written by what you would call writers.
William Monahan
I hate doing anything in offices. I either want to be out in the world or in my own environment - and it should be your own environment that you work in.
William Monahan
You don't write for actors. Actors come for characters you've made up.
William Monahan
I can work in London. A British journalist asked me if I had any trouble working with an English crew, as an American, and I said I might have if I was from Scotland, but I'm from Massachusetts, which is sort of Oxfordshire, but more intellectual. That's kind of unforgivable but you've got to let them have it.
William Monahan
The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.
William Monahan
