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When I was young I was only thinking of writing, and whatever was going on was unreal and comparatively unimportant.
William Monahan
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William Monahan
Age: 63
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Thinking
Comparatively
Unimportant
Unreal
Whatever
Young
Writing
Going
More quotes by William Monahan
Casting is all about availability, as much as anything else.
William Monahan
Dialogue is used to reveal not what we want to say, but what we are trying to hide.
William Monahan
I'm a homebody, as many writers are, and need to be by myself, and I like to be by the Atlantic Ocean.
William Monahan
I don't move until an actor is happy, but it was very important to me as a so-called first time director to keep the machine moving. It was especially important to me to keep it moving and not be some kind of precious writer-director.
William Monahan
You never know what people are going to go and see.
William Monahan
I think that gambling is a synthetic experience and that if you have any balls you gamble with your life. I have. So can everybody else.
William Monahan
Doing crime films...maybe it's to some extent a matter of taste. Certainly my first novel had a criminal element and was about the similarity of criminals and artists. Pretextually, it was sort of a money bag thriller. But it was aggressively not what it seemed to be. It was kind of Duchamps.
William Monahan
If you need someone to come out of the sewer with a wire you don't hire someone who needs laborious collective instruction. You let someone do his job, whether he's a focus puller or a surgeon.
William Monahan
I learned my job from English dramatists. Tennessee Williams was no good for me, New York stuff was no good to me.
William Monahan
For me, film has been good because I'm able to work at top crack, working at something I love to do, in the only literary form in which you can still make money. There are no famous novelists, not as novelists used to be famous.
William Monahan
I'm more from a double world where I wasn't part of anything or invested in anything, because I was Irish, and very Irish, but also the other part of my family, not that it had airs, or money, was descended from the first minister on Cape Ann in the 1620s.
William Monahan
I was always entirely about work, about getting where I am now. If I'm not working I'm thinking about it, though at some point I learned not to talk about it very much.
William Monahan
The novel ceases to be looked at as a novel. Such is the overwhelming power of motion pictures. Gore Vidal pointed out that the movies are the only thing anybody's really interested in. The association with movies and movie money can, and certainly did in my case, occlude a novel as a novel.
William Monahan
In Boston terms I was everyone and no one, with no social investment, no social insecurity, sort of Imitation of Christ in one hand and The Education of Henry Adams in the other, and because I was part of nothing I could observe everything without having anything personal invested in the findings.
William Monahan
If you see, as I do, in edited film, you're going to end up as a director.
William Monahan
I went into directing having observed and learned from the best. There was a certain standard of procedure. I found that I was equal to it. I thoroughly enjoyed directing, I liked it a lot. It's very satisfactory to see that you can do it. The art takes care of itself.
William Monahan
Wisdom is not having illusions, especially anything in your own mind that elevates you above others.
William Monahan
I think probably everybody works most on the beginning and the ending.
William Monahan
I hate doing anything in offices. I either want to be out in the world or in my own environment - and it should be your own environment that you work in.
William Monahan
By the time someone gave me some samples of standard screenplays I was already beyond that stuff, because I was not only a tinkerer in ways to do things, I'd started from Dylan Thomas. As a screen dramatist he was a very intense visualist, with great timing and fluency.
William Monahan