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I shoot very little film. If you just do coverage you're shooting any number of potential films instead of just one, and I was shooting just one specific film. Film is cheap but time is expensive.

William Monahan

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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Numbers
Shoot
Film
Specific
Littles
Expensive
Little
Shooting
Time
Potential
Films
Number
Coverage
Instead
Cheap

More quotes by William Monahan

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The novel ceases to be looked at as a novel. Such is the overwhelming power of motion pictures. Gore Vidal pointed out that the movies are the only thing anybody's really interested in. The association with movies and movie money can, and certainly did in my case, occlude a novel as a novel.
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I love editorial and sound and music, and I was working with the best people, so you learn a lot.
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For some reason, I seem to work well with actors. I love working with them.
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I wanted to do London Boulevard because I saw the potential of a story about two people who need each other desperately, who love at first sight, as one does, and above all a story in which no one is what they appear to be.
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Novelists who get shitty about screenwriting invariably can't do it, or they can't hack it in the world of what's really, in truth, very bold and very public enterprise.
William Monahan
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Casting is all about availability, as much as anything else.
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I don't like scripts leaking. On the other hand, the more real attention a script gets, the better.
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Whatever you cut when there's no deadline isn't really a cut. You're just pushing colors around.
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Wisdom is not having illusions, especially anything in your own mind that elevates you above others.
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All of a sudden I pulled up short and harked back to Ridley [Scott] holding up the script in Manhattan, at the St. Regis breakfast room, and saying, It's very visual, isn't it, and realized it was the key to my whole life since then.
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If you see, as I do, in edited film, you're going to end up as a director.
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Out of all of the Star Trek movies, I happen to like the most recent one the best. I think it was the best one ever done.
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I never viewed screen drama as a vulgar form, or a lesser one, and I've never written it left-handed.
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In truth, the cinema as a delivery system obviously has its days numbered. And that's not a bad thing. When you can buy any book in the world on your iPad, or off Amazon, you don't go the public library. The public library becomes about homeless gentlemen sleeping in chairs.
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The thing about movies is if somebody has an idea that works, it's in, and I say that as a screenwriter as well as a director.
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The empirical is very important, but merit is inherent and not acquired. A university is massively important because you can see where you stand naturally in the ranks, and try yourself out, but education is just reading and understanding what you read.
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You know a shooter when you see it. At least the creative people do. If a picture isn't obvious in the first draft you're kind of screwed.
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Star Wars was great at the beginning and crap at the end while Star Trek has always been interesting, and the difference is in the writing, and the thematic intentions.
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There's only one way to prep, so far as I know. You have your script, you hire the people you want, you find your locations and your setups, everybody shows up and you shoot the film.
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Saying directors don't write because they don't type is very wrong, it's like saying Dylan doesn't write music because he doesn't write notation.
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