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As far as executing work is concerned, you do it all in order. You do it in contractual order. There's no overlap, it's just continuation of your ordinary work. You move from one project into another.
William Monahan
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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Concerned
Ordinary
Move
Contractual
Moving
Overlap
Another
Executing
Order
Continuation
Work
Project
Projects
More quotes by William Monahan
I think the only real referent for anybody writing drama is probably Hamlet. You have the most extreme tragic drama, this sort of blood-boltered thing, but it's also very funny, which is simply a matter of the playwright being alive and observant and entertaining, and understanding not only the world but what will play.
William Monahan
Dialogue is used to reveal not what we want to say, but what we are trying to hide.
William Monahan
My gratitude to Ridley [Scott] isn't anything new. I named one of my kids after him. But he's a very important person to me.
William Monahan
There's only one way to prep, so far as I know. You have your script, you hire the people you want, you find your locations and your setups, everybody shows up and you shoot the film.
William Monahan
I never write with particular actors in mind.
William Monahan
Yeah, well I can't see a situation where I wouldn't at least re-write as a director something I was going to direct. At the moment, I wouldn't direct anything that I hadn't written. I can now say, as everybody else says, that it all depends on the script.
William Monahan
When I was very young, you would get the TV listings from The Globe and The Herald, and you would basically go through them, circle things, and map out your viewing week.
William Monahan
You can believe in originals only if you just don't know their context within literature. Certainly I believe in originality, but it lies with the teller, not the tale.
William Monahan
I'm interested in stories about human beings. I don't care where or when they are set.
William Monahan
I have a lot of stuff that I never published because I always had a sense that novels were not finally going to be the way I made my living, because the form was dying commercially.
William Monahan
The novel ceases to be looked at as a novel. Such is the overwhelming power of motion pictures. Gore Vidal pointed out that the movies are the only thing anybody's really interested in. The association with movies and movie money can, and certainly did in my case, occlude a novel as a novel.
William Monahan
It's interesting to think that my children know more about the process than many mature critics.
William Monahan
London exists normally in a state of bleach bypass. There's the artistic context of Blow Up and Performance and all the Sixties and Seventies British films that I grew up on, because I did very much grow up on British films.
William Monahan
I'm more from a double world where I wasn't part of anything or invested in anything, because I was Irish, and very Irish, but also the other part of my family, not that it had airs, or money, was descended from the first minister on Cape Ann in the 1620s.
William Monahan
I don't move until an actor is happy, but it was very important to me as a so-called first time director to keep the machine moving. It was especially important to me to keep it moving and not be some kind of precious writer-director.
William Monahan
Casting is all about availability, as much as anything else.
William Monahan
Without English art, I never would have understood myself, my own family, or the New England world I lived in.
William Monahan
London matters to me because it's the center of what I do for a living and has been since Tudor times.
William Monahan
If TV seems improved, I think it's been enhanced by violence and sex permissible on cable, as well as better cinematography, but in the end it's really only soap operas like your grandmother's afternoon stories and that's all it wants to be or has to be.
William Monahan
I learned my job from English dramatists. Tennessee Williams was no good for me, New York stuff was no good to me.
William Monahan