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As far as executing work is concerned, you do it all in order. You do it in contractual order. There's no overlap, it's just continuation of your ordinary work. You move from one project into another.
William Monahan
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William Monahan
Age: 63
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Moving
Overlap
Another
Executing
Order
Continuation
Work
Project
Projects
Concerned
Ordinary
Move
Contractual
More quotes by William Monahan
I'd been working so hard making the film that I hadn't even emotionally processed the fact that I was a director.
William Monahan
In Boston terms I was everyone and no one, with no social investment, no social insecurity, sort of Imitation of Christ in one hand and The Education of Henry Adams in the other, and because I was part of nothing I could observe everything without having anything personal invested in the findings.
William Monahan
I've always been a bit repelled by Sunset Boulevard, which is wrong about almost everything it touches, whether it's fame, Hollywood, screenwriters, or old ladies. Sunset Boulevard would only make sense to me if it was about John Gilbert and the pool boy.
William Monahan
I sound like Warhol but only because I'm tired.
William Monahan
I think probably everybody works most on the beginning and the ending.
William Monahan
Henry Adams was scared shitless, politically, by the discovery that England isn't alien to a boy from Boston, but it was true, and it is true. It's a Boston and coastal Massachusetts thing. Henry Adams blocked it out.
William Monahan
I'm more from a double world where I wasn't part of anything or invested in anything, because I was Irish, and very Irish, but also the other part of my family, not that it had airs, or money, was descended from the first minister on Cape Ann in the 1620s.
William Monahan
I don't like scripts leaking. On the other hand, the more real attention a script gets, the better.
William Monahan
Star Wars was great at the beginning and crap at the end while Star Trek has always been interesting, and the difference is in the writing, and the thematic intentions.
William Monahan
Without English art, I never would have understood myself, my own family, or the New England world I lived in.
William Monahan
I'm usually the first guy to propose a change because I'm continuing my process. We're in a context, in this business, a context in which most screenplays work on a very modest level of achievement, in that a lot of them aren't really written by what you would call writers.
William Monahan
But the web is to some degree a broth of psychopaths seeing what they can get away with in circumstances of anonymity. Look, we live in a world where one is unsafe in various ways because of the Internet. Anything can be said. Someone can look at your house from space.
William Monahan
The thing about The Departed, the x-factor that people can't quite put their finger on, is that it deals clearly with class and accent all these things that are fundamental to Boston, but previously anomalous or even prohibited in demotic American films.
William Monahan
If you're playing around with a film, you're just playing around with it. But if it has to go into theaters, you get yourself into gear and finish it.
William Monahan
T.S. Eliot, who learned to swim at the same beach as I did, just threw in the towel and moved to Cheyne Walk. I'm not going to do that but I'm not scared of the open channel between me and Britain.
William Monahan
The novel ceases to be looked at as a novel. Such is the overwhelming power of motion pictures. Gore Vidal pointed out that the movies are the only thing anybody's really interested in. The association with movies and movie money can, and certainly did in my case, occlude a novel as a novel.
William Monahan
I always write as I like to write, and I've been thinking about it because I honestly didn't realize how different my stuff is, until I started looking at other people's scripts as a producer.
William Monahan
When I was a kid in London there was just something about the light and there's something about the way London went onto film in those days, whether it was Technicolor or Technicolor plus the flatness of the light, or whatever.
William Monahan
If you change a location opportunistically, to gain a day on the schedule, which I did more than once, you have to re-rig everything creatively on the spot, and you not only have to be able to do that, but do it with great fluency to keep moving. I used to go apeshit when anything got changed in a film but you live and learn, and I have learned.
William Monahan
I learned my job from English dramatists. Tennessee Williams was no good for me, New York stuff was no good to me.
William Monahan