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You can believe in originals only if you just don't know their context within literature. Certainly I believe in originality, but it lies with the teller, not the tale.

William Monahan

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William Monahan
Age: 64
Born: 1960
Born: November 3
Critic
Film Director
Journalist
Novelist
Screenwriter
Writer
Boston
Massachusetts
Claude La Badarian
Within
Tale
Lying
Originality
Believe
Context
Tales
Originals
Certainly
Lies
Literature
Teller

More quotes by William Monahan

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When I'm shooting, as much as writing, I see edited footage in my mind, so I work that way, and it's economical.
William Monahan
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The thing about The Departed, the x-factor that people can't quite put their finger on, is that it deals clearly with class and accent all these things that are fundamental to Boston, but previously anomalous or even prohibited in demotic American films.
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If you're playing around with a film, you're just playing around with it. But if it has to go into theaters, you get yourself into gear and finish it.
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If you decide to do Hamlet in a funny hat staged in a ruined factory, it doesn't make you Shakespeare.
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As a director, you're given a tremendous apparatus to work with, and very great talents are available to you.
William Monahan
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The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.
William Monahan
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I'm not very precious at all, which I think people find surprising.
William Monahan
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When I started writing screenplays, as early as I started writing anything, I hadn't seen any ordinary screenplays. I saw movies and figured out how I thought they should be written.
William Monahan
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When I was a kid in London there was just something about the light and there's something about the way London went onto film in those days, whether it was Technicolor or Technicolor plus the flatness of the light, or whatever.
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I learned from Ridley [Scott] how to come out of the trailer at a fast walk and make your decisions and keep it going. We were very much on time and under budget, as they say. That was a very important thing for me and very satisfactory.
William Monahan
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I wanted to do London Boulevard because I saw the potential of a story about two people who need each other desperately, who love at first sight, as one does, and above all a story in which no one is what they appear to be.
William Monahan
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But the web is to some degree a broth of psychopaths seeing what they can get away with in circumstances of anonymity. Look, we live in a world where one is unsafe in various ways because of the Internet. Anything can be said. Someone can look at your house from space.
William Monahan
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I need as much of the business of making a film to be in my own workspace. It really ought to be a bit more like doing a novel, alone, at first. I'm feeling my way.
William Monahan
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I'm a guy whose first motion picture experience was seeing Ridley Scott glide past on a camera on a hundred and fifty million dollar film, and prep two movies, and there is no way to overstate that when you've worked with Ridley, it's like having been a quarterdeck lieutenant to Lord Nelson.
William Monahan
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The empirical is very important, but merit is inherent and not acquired. A university is massively important because you can see where you stand naturally in the ranks, and try yourself out, but education is just reading and understanding what you read.
William Monahan
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I have a lot of stuff that I never published because I always had a sense that novels were not finally going to be the way I made my living, because the form was dying commercially.
William Monahan
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I'm interested in stories about human beings. I don't care where or when they are set.
William Monahan
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By the time someone gave me some samples of standard screenplays I was already beyond that stuff, because I was not only a tinkerer in ways to do things, I'd started from Dylan Thomas. As a screen dramatist he was a very intense visualist, with great timing and fluency.
William Monahan
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All of a sudden I pulled up short and harked back to Ridley [Scott] holding up the script in Manhattan, at the St. Regis breakfast room, and saying, It's very visual, isn't it, and realized it was the key to my whole life since then.
William Monahan
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You never know what people are going to go and see.
William Monahan