Quote

For me, the short story is not a character sketch, a mouse trap, an epiphany, a slice of suburban life. It is the flowering of a symbol center. It is a poem grafted onto sturdier stock.

William H. Gass

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William H. Gass
Age: 93 †
Born: 1924
Born: July 30
Died: 2017
Died: December 6
Critic
Essayist
Journalist
Literary Critic
Military Officer
Novelist
Prosaist
University Teacher
Writer
Fargo
North Dakota
William Howard Gass
Life
Poem
Flowering
Symbols
Mouse
Center
Trap
Short
Traps
Grafted
Story
Mice
Suburban
Stories
Symbol
Slice
Character
Stock
Epiphany
Writing
Onto
Sketch

More quotes by William H. Gass

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Fiction becomes visual by becoming verbal
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I am unlikely to trust a sentence that comes easily.
William H. Gass
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Freud thought that a psychosis was a waking dream, and that poets were daydreamers too, but I wonder if the reverse is not as often true, and that madness is a fiction lived in like a rented house
William H. Gass
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Blue is therefore most suitable as the color of interior life.
William H. Gass
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I don't know myself, what to do, where to go... I lie in the crack of a book for my comfort... it's what the world offers... please leave me alone to dream as I fancy.
William H. Gass
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Getting even is one reason for writing.
William H. Gass
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Surely it's better to live in the country, to live on a prairie by a drawing of rivers, in Iowa or Illinois or Indiana, say, than in any city, in any stinking fog of human beings, in any blooming orchard of machines. It ought to be.
William H. Gass
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[As] authorities over us are removed, as we wobble out on our own, the question of whether to be or not to be arises with real relevance for the first time, since the burden of being is felt most fully by the self-determining self.
William H. Gass
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it is discouraging to leave the past behind only to see it coming toward you like the thunderstorm which drenched you yesterday.
William H. Gass
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Sports, politics, and religion are the three passions of the badly educated.
William H. Gass
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As Rilke observed, love requires a progressive shortening of the senses: I can see you for miles I can hear you for blocks, I can smell you, maybe, for a few feet, but I can only touch on contact, taste as I devour
William H. Gass
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Only the slow reader will notice the odd crowd of images-flier, butcher, seal-which have gathered to comment on the aims and activities of the speeding reader, perhaps like gossips at a wedding.
William H. Gass
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My face is muffled in my mother's clothing. Her rhinestones injure me. See: my feet are going. Fish flee the forefinger of my aunt. The sun streams over the geraniums. What has this to do with what I feel, with what I am.
William H. Gass
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Philosophy has a great sort of appeal in terms of an artistic or aesthetic organization of concepts. It's a conceptual art.
William H. Gass
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Words are the supreme objects. They are minded things.
William H. Gass
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For the speedy reader paragraphs become a country the eye flies over looking for landmarks, reference points, airports, restrooms, passages of sex.
William H. Gass
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Literature is composed of quarter truths, and the quarters are often spent on penny candy.
William H. Gass
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I write because I hate. A lot. Hard.
William H. Gass
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We converse as we live by repeating, by combining and recombining a few elements over and over again just as nature does when of elementary particles it builds a world.
William H. Gass
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I was struck by the way in which meanings are historically attached to words: it is so accidental, so remote, so twisted. A word is like a schoolgirl's room--a complete mess--so the great thing is to make out a way of seeing it all as ordered, as right, as inferred and following.
William H. Gass