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Couldn't a fire outrun a galloping horse?

William Golding

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William Golding
Age: 81 †
Born: 1911
Born: September 19
Died: 1993
Died: June 19
Novelist
Poet
Science Fiction Writer
Screenwriter
Writer
Newquay
Cornwall
William Gerald Albert Golding
Sir William Gerald Golding
Fire
Galloping
Outrun
Horse
Couldn

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Graham Greene at 82 years old was still writing, and I don't think anyone can deny the force, the expertise, and the unique quality of his writing, if you take his complete oeuvre.
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We have a disharmony in our natures. We cannot live together without injuring each other.
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The skull regarded Ralph like one who knows all the answers and won't tell.
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He became absorbed beyond mere happiness as he felt himself exercising control over living things. He talked to them, urging them, ordering them. Driven back by the tide, his footprints became bays in which they were trapped and gave him the illusion of mastery.
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Which is better -- to be a pack of painted Indians like you are, or to be sensible like Ralph is? Which is better -- to have rules and agree, or to hunt and kill? Which is better, law and rescue, or hunting and breaking things up?
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The man who tells the tale if he has a tale worth telling will know exactly what he is about and this business of the artist as a sort of starry-eyed inspired creature, dancing along, with his feet two or three feet above the surface of the earth, not really knowing what sort of prints he's leaving behind him, is nothing like the truth.
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I mean, if we're concerned genuinely with writing, I think we probably get on with our work. I think this is very true of English writers, but perhaps not so true of French writers, who seem to read each other passionately, extensively, and endlessly, and who then talk about it to each other - which is splendid.
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One's intelligence may march about and about a problem, but the solution does not come gradually into view. One moment it is not. The next it is there.
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Sleep is when all the unsorted stuff comes flying out as from a dustbin upset in a high wind.
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Put simply the novel stands between us and the hardening concept of statistical man. There is no other medium in which we can live for so long and so intimately with a character. That is the service a novel renders.
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In India the odd thing is that English is this almost artificial language floating on the surface of a place with about fifty other languages. The same is true of Nigeria but even more so.
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I hope my books make statements about our general condition.
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To be in a world which is a hell, to be of that world and neither to believe in or guess at anything but that world is not merely hell but the only possible damnation: the act of a man damning himself. It may be
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Fancy thinking the Beast was something you could hunt and kill! You knew, didn’t you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why things are what they are?
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As far as the novel is concerned in my own country, I think it's in a pretty healthy state.
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My yesterdays walk with me. They keep step, they are gray faces that peer over my shoulder.
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The mask was a thing on it's own, behind which Jack hid, liberated from shame and self-conciousness.
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Kill the pig. Cut her throat. Spill her blood.
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The novel is very much alive, indeed. In Toronto at the Sixth Annual International Festival of Authors (October 1985) I listened to novelists by the dozen.
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What are we? Humans? Or animals? Or savages?
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