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When did it become necessary to explain what's so cool about Japan? Everyone was quite obsessed with it 15 years ago. I suppose it's the only Asian country that developed an imaginary entree to me. That's why I go back.

William Gibson

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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Cool
Entrees
Necessary
Asian
Quite
Imaginary
Everyone
Japan
Become
Developed
Back
Obsessed
Country
Explain
Years
Suppose
Entree

More quotes by William Gibson

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The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly, and at great length.
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When I was first writing about Japan, it was at the peak of the Bubble. Bubble popped, but they kept on going. Japanese street style feeds American iconics back into America in somewhat the way English rock once fed American blues back into America.
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I'm not the only one: witness Pokemon! They still keep coming up with this stuff that just rivets us in unexpected areas.
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We don't legislate emergent technologies into existence. We almost never do. They just emerge, dragged forth by Adam Smith's invisible hand. Then we have to see what people are actually going to do with them, and try to legislate to take account of that.
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I watch for emergent technologies and pay attention to what people say they'll be good for, then see what we actually use them for. It never occurred to me that a tiny telephone with a wireless transceiver would do whatever it is that it's done to us.
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Gadgets are usually the last thing I think about, and if there's something new, I'll get to the store for the final shipment of the first generation when it's on sale. So I have last year's stuff.
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For me, the melancholy of the late XXth Century is walking late at night by the Mont Blanc pen store and seeing these things always strike me as simulacra of luxury items. They seem like fakes.
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I wanted to make room for antiheroes.
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I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day.
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I've become convinced that nostalgia is a fundamentally unhealthy modality. When you see it, it's usually attached to something else that's really, seriously bad. I don't traffic in nostalgia. We're becoming a global culture.
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Canadian cities looked the way American cities did on television.
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I feel like I've been very fortunate in that I've stuck like a burr to the dog-leg of the next generation of nerdism. I've been carried into the XXIth century on Bill Gates' pants-cuff.
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I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.
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I grew up in southwestern Virginia. I was born in South Carolina, but only because my parents had a vacation cabin or something there on the beach. I was like a summer baby. But I did grow up in the South. I grew up in serious, serious Appalachia, in a very small town.
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People who feel safer with a gun than with guaranteed medical insurance don't yet have a fully adult concept of scary.
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I've been interested in autism since I've known about it, which is more or less since I've been writing.
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And, for an instant, she stared directly into those soft blue eyes and knew, with an instinctive mammalian certainty, that the exceedingly rich were no longer even remotely human.
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[The currency of being celebrity] used to be only the elect had any manna in the information society and everyone else was a consumer.
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Dreaming in public is an important part of our job description.
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