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Somehow I think that if Toronto had been forced to wait a decade [from 80th], it would be a better looking city.

William Gibson

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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Better
Forced
Would
Decades
Think
Somehow
Thinking
Wait
City
Cities
Waiting
Toronto
Looking
Decade

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I can't do fiction unless I visualize what's going on. When I began to write science fiction, one of the things I found lacking in it was visual specificity. It seemed there was a lot of lazy imagining, a lot of shorthand.
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You must learn to overcome your very natural and appropriate revulsion for your own work.
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The Internet is part of this ongoing, species-long project we've been working on since we climbed down out of the trees in the savanna. We've been working on it without really knowing it.
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The box was a universe, a poem, frozen on the boundaries of human experience.
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The future is not Google-able.
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I've always been interested in people who aren't from anywhere in particular. I think it's all melting. This has been true for as long as I can remember in my adult life.
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There are bits of the literal future right here, right now, if you know how to look for them.
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I'm quite good friends with the putative director, Vincenzo Natali, and I'm a big fan of his work, but beyond that, I don't like to talk about other people's work work-in-progress.
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I assume that - because you can get degrees in journalism from very reputable universities - I assume that people can be trained to be journalists. I've never been entirely certain that anyone can be trained to be a novelist in the same way.
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It's an American thing, but it's particularly a southern thing, and its romanticization is hyper-Southern. And it's still irresistible to me, even in middle age. There's something that pulls me to that, but at the same time, I have this increasing awareness of how banal it really is - that evil is inherently banal.
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Canadian cities looked the way American cities did on television.
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I have this prejudice that trilogies are long, three-volume novels.
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A book exists at the intersection of the author's subconscious and the reader's response.
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I'm interested in people who become culturally fluent. And when I meet young people I'm often amazed they don't quite seem to have a sense of where they're from. They're like the citizens of the airport.
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If I meet someone and discover that they're an absolute, very earnest nationalist, it's unlikely that I'm going to get much closer to them. I don't understand them. It doesn't matter where they're from, I just don't get it. I'm a multi-national kind of guy.
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Gadgets are usually the last thing I think about, and if there's something new, I'll get to the store for the final shipment of the first generation when it's on sale. So I have last year's stuff.
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I think the least important thing about science fiction for me is its predictive capacity. Its record for being accurately predictive is really, really poor! If you look at the whole history of science fiction, what people have said is going to happen, what writers have said is going to happen, and what actually happened - it's terrible.
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Upon arriving in the capital-F Future, we discover it, invariably, to be the lower-case now.
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