Quote

I look at [Toronto] and think well, perhaps my grandchildren will someday look at this stuff with the sort of appreciation I once held for Art Deco. Although I've come to find Art Deco quite creepy too.

William Gibson

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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Look
Held
Wells
Although
Come
Perhaps
Deco
Well
Sort
Toronto
Looks
Quite
Creepy
Think
Stuff
Grandchildren
Thinking
Art
Someday
Find
Appreciation

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You must learn to overcome your very natural and appropriate revulsion for your own work.
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I buried everything under layers and layers and layers of code, but the signifiers of my emotionality were there, for me.
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To the extent that I can still believe in Bohemia, which I think is very important to me in some way that I don't yet really understand, to the extent that I still believe in that, I have to believe that there are viable degrees of freedom inherent if not realized in interstitial areas.
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One of the liberating effects of science fiction when I was a teenager was precisely its ability to tune me into all sorts of strange data and make me realize that I wasn’t as totally isolated in perceiving the world as being monstrous and crazy
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All I knew about the word cyberspace when I coined it, was that it seemed like an effective buzzword. It seemed evocative and essentially meaningless. It was suggestive of something, but had no real semantic meaning, even for me, as I saw it emerge on the page.
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Authenticity doesn't mean much to me. I just want good, in the sense of well-designed, well-constructed, long-lasting garments. My interest in military clothing stems from that. It's not about macho, playing soldiers, anything militaristic. It's the functionality, the design-solutions, the durability. Likewise workwear.
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We're living in a future that's weirder than anybody except possibly.
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Time is money, but also money is money.
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The sky above the port was the color of television, tuned to a dead station.
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I'm interested in people who become culturally fluent. And when I meet young people I'm often amazed they don't quite seem to have a sense of where they're from. They're like the citizens of the airport.
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Tim Powers is a brilliant writer.
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I think with one exception I've never changed an opening sentence after a book was completed.
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In effect, I grew up in a sort of timewarp, a place where times are scrambled up. There are elements of my childhood that look to me now, in memory more like the 1940s or the 1950s than the 1960s. Jack [Womack] says that that made us science fiction writers, because we grew up experiencing a kind of time travel.
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The nature of emergent technology is, as Kevin Kelly once said, right out of control. It's an element of human evolution that's completely out of control. It's sort of driving itself, and I don't see it ceasing to do that.
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I'm a really good eavesdropper. I listen to what people say and remember all the buzzwords.
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Part of the core of my system, is a way of trying to give the characters more control. If I'm practicing making up what the characters will do, it's never good. In fact, when I catch myself doing that, I try to get rid of that section, and try and let them start making the decisions.
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I don't have to write about the future. For most people, the present is enough like the future to be pretty scary.
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I don't much live my life as if I was living in a Raymond Chandler novel, which is probably a good thing.
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Genuinely ubiquitous computing spreads like warm Vaseline.
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I was afraid to watch 'Blade Runner' in the theater because I was afraid the movie would be better than what I myself had been able to imagine. In a way, I was right to be afraid, because even the first few minutes were better.
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