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I had a list of things that science fiction, particularly American science fiction, to me seemed to do with tedious regularity. One was to not have strong female protagonists. One was to envision the future, whatever it was, as America.

William Gibson

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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Things
Female
Envision
Fiction
Regularity
Whatever
Protagonists
American
Tedious
Future
List
Strong
Lists
Science
Particularly
America
Seemed

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Addictions [...] started out like magical pets, pocket monsters. They did extraordinary tricks, showed you things you hadn't seen, were fun. But came, through some gradual dire alchemy, to make decisions for you. Eventually, they were making your most crucial life-decisions. And they were [...] less intelligent than goldfish.
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Television has - particularly at the HBO level in the United States - become a completely new genre. Something like Deadwood or The Wire is a whole new thing - there was no equivalent to that medium before. It's like a new way of telling stories.
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It's impossible to move, to live, to operate at any level without leaving traces, bits, seemingly meaningless fragments of personal information.
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I like the idea of people who've had some success in one form secretly wanting to be something else I have some of that myself. I look for it in other people who've established themselves in some particular art form, and then you find out that they really would like to design running shoes, or edit literary magazines or something.
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The future is here - it just has not been uniformly distributed.
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For years I have been mourning and not for my dead, it is for this boy for whatever corner in my heart died when his childhood slid out of my arms.
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Why shouldn't we give our teachers a license to obtain software, all software, any software, for nothing? Does anyone demand a licensing fee, each time a child is taught the alphabet?
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I wanted to make room for antiheroes.
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Somewhere, deep within her, surfaces a tiny clockwork submarine. There are times when you can only take the next step. And then another.
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I've never actually been a collector. I like the learning-curve, but I buy things, sell them to finance other things.
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Time is money, but also money is money.
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You could have sex relatively comfortably on a platform of books, but not on a platform of PDA.s. Hardcover books. Paperbacks might start sliding around. Though I.d still prefer paperbacks to a pile of PDA.s.
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Generation X is dead. It has come to mean anyone aged 13 to 55 years old.
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I probably had something to do with being southern. For some reason, over the last few years I've been much more conscious of that. It's probably because my friend Jack Womack has a thesis that he and I write the way we do because we're southern and we experienced the very tail end of the premeditated south.
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The culture is still there, and people are still doing it. I imagine some people are doing it very well indeed. As for me, it definitely was my native literary culture. Science fiction was where I'm from, but on the way to now, I went through a lot of other territory, and I wasn't really that culturally conventional an SF writer when I started.
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I don't always like writing, but I very much like having written.
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I'm very primitive in terms of economics. The kind of new business in which stock gets more valuable because the company grows, but there must be limits to growth. But if publishing is expanding to fill that retail space, it seems like there may be a necessary and unpleasant correction waiting down the road. How many books to people WANT?
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I'm not the only one: witness Pokemon! They still keep coming up with this stuff that just rivets us in unexpected areas.
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I think the least important thing about science fiction for me is its predictive capacity.
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The Internet is part of this ongoing, species-long project we've been working on since we climbed down out of the trees in the savanna. We've been working on it without really knowing it.
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