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Three in the morning. Making yourself a cup of coffee in the dark, using a flashlight when you pour the boiling water.

William Gibson

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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Coffee
Using
Morning
Dark
Flashlight
Water
Flashlights
Making
Boiling
Three
Pour
Cups

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For years I have been mourning and not for my dead, it is for this boy for whatever corner in my heart died when his childhood slid out of my arms.
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I had a list of things that science fiction, particularly American science fiction, to me seemed to do with tedious regularity. One was to not have strong female protagonists. One was to envision the future, whatever it was, as America.
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We don't legislate emergent technologies into existence. We almost never do. They just emerge, dragged forth by Adam Smith's invisible hand. Then we have to see what people are actually going to do with them, and try to legislate to take account of that.
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What we're doing pop culturally is like burning the rain forest. The biodiversity of pop culture is really, really in danger.
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When you want to know how things really work, study them when they're coming apart.
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I'm quite good friends with the putative director, Vincenzo Natali, and I'm a big fan of his work, but beyond that, I don't like to talk about other people's work work-in-progress.
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Language is to the mind more than light is to the eye.
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Somewhere, deep within her, surfaces a tiny clockwork submarine. There are times when you can only take the next step. And then another.
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The future has already arrived. It's just not evenly distributed yet.
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I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.
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The future's here already. It's just unevenly distributed.
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I can see television much more easily than I can see features, because the economy and politics of making big, big features seems to me to be narrowing even from what it was.
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Upon arriving in the capital-F Future, we discover it, invariably, to be the lower-case now.
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Every shop in every High Street in Europe is filled with basically the same stuff. There's a street in every city of the world that has a Gap and Benneton's, and the upscale versions of those.
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The street finds its own uses for things.
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He took a duck in the face at 250 knots.
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I think I'd probably tell you that it's easier to desire and pursue the attention of tens of millions of total strangers than it is to accept the love and loyalty of the people closest to us.
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The future is there... looking back at us. Trying to make sense of the fiction we will have become.
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I was afraid to watch 'Blade Runner' in the theater because I was afraid the movie would be better than what I myself had been able to imagine. In a way, I was right to be afraid, because even the first few minutes were better.
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Television has - particularly at the HBO level in the United States - become a completely new genre. Something like Deadwood or The Wire is a whole new thing - there was no equivalent to that medium before. It's like a new way of telling stories.
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