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The future is there, Cayce hears herself say, looking back at us. Trying to make sense of the fiction we will have become. And from where they are, the past behind us will look nothing at all like the past we imagine behind us now.
William Gibson
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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Trying
Future
Make
Sense
Like
Past
Hears
Become
Behinds
Back
Behind
Look
Fiction
Nothing
Imagine
Looks
Looking
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Sometimes, I feel like a time traveller, cause the only way that we can really travel in time is just to get older.
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I'm a reluctant writer of non-fiction, in part because I don't really feel qualified.
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I very seldom compose anything in my head which later finds its way into text, except character names sometimes - I'm often very much inspired by things that I misunderstand.
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The designers [of the 1930s] were populists, you see they were trying to give the public what it wanted. What the public wanted was the future.
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When you want to know how things really work, study them when they're coming apart.
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I can't do fiction unless I visualize what's going on. When I began to write science fiction, one of the things I found lacking in it was visual specificity. It seemed there was a lot of lazy imagining, a lot of shorthand.
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Fiction is an illusion wrought with many small, conventionally symbolic marks, triggering visions in the minds of others
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His smile was the nightmare in my back pocket.(Speaking about Ronald Reagan)
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It doesn't matter how fast your modem is if you're being shelled by ethnic separatists.
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He took a duck in the face at 250 knots.
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I took Punk to be the detonation of some slow-fused projectile buried deep in society's flank a decade earlier, and I took it to be, somehow, a sign.
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We're living in a future that's weirder than anybody except possibly.
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I wanted to make room for antiheroes.
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The street finds its own uses for things.
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A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light ranged in the nonspace of the mind, clusters and constellations of data. Like city lights, receding.
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The written word still enjoyed a certain prestige here. It was a sluggish country.
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