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Friday, August 04, 2006 MONUMENT posted 8:31 AM Silver nitrous girls pointed into occult winds of porn and destiny.
William Gibson
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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Silver
Porn
Girls
Posted
Destiny
Occult
Wind
August
Girl
Monument
Pointed
Winds
Friday
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I'm quite proud of what I anticipated about reality television from my books in the early '90s, which I based on the early seasons of 'Cops' and on the amazing stuff I had read about happening on Japanese shows and the British 'Big Brother'.
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I think the least important thing about science fiction for me is its predictive capacity.
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I don't always like writing, but I very much like having written.
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Cyberspace is colonising what we used to think of as the real world. I think that our grandchildren will probably regard the distinction we make between what we call the real world and what they think of as simply the world as the quaintest and most incomprehensible thing about us.
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Cyberspace. A consensual hallucination.
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Tim Powers is a brilliant writer.
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I think that technologies are morally neutral until we apply them. It's only when we use them for good or for evil that they become good or evil.
William Gibson
I'm very primitive in terms of economics. The kind of new business in which stock gets more valuable because the company grows, but there must be limits to growth. But if publishing is expanding to fill that retail space, it seems like there may be a necessary and unpleasant correction waiting down the road. How many books to people WANT?
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The future has already arrived. It's just not evenly distributed yet.
William Gibson
The nature of emergent technology is, as Kevin Kelly once said, right out of control. It's an element of human evolution that's completely out of control. It's sort of driving itself, and I don't see it ceasing to do that.
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The future is here - it just has not been uniformly distributed.
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I'm not the only one: witness Pokemon! They still keep coming up with this stuff that just rivets us in unexpected areas.
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We see in order to move we move in order to see.
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His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol.
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He'd been numb a long time, years. All his nights down Ninsei, his nights with Linda, numb in bed and numb at the cold sweating center of every drug deal. But now he'd found this warm thing, this chip of murder. Meat, some part of him said. It's the meat talking, ignore it.
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If you’re fifteen or so, today, I suspect that you inhabit a sort of endless digital Now, a state of atemporality enabled by our increasingly efficient communal prosthetic memory. I also suspect that you don’t know it, because, as anthropologists tell us, one cannot know one’s own culture.
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There are bits of the literal future right here, right now, if you know how to look for them.
William Gibson
Authenticity doesn't mean much to me. I just want good, in the sense of well-designed, well-constructed, long-lasting garments. My interest in military clothing stems from that. It's not about macho, playing soldiers, anything militaristic. It's the functionality, the design-solutions, the durability. Likewise workwear.
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For me, the melancholy of the late XXth Century is walking late at night by the Mont Blanc pen store and seeing these things always strike me as simulacra of luxury items. They seem like fakes.
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I don't think about the real future very much.
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