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I'd always maintained that much of the anarchy and craziness of the early internet had a lot to do with the fact that governments just hadn't realised it was there.

William Gibson

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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Early
Internet
Fact
Craziness
Facts
Maintained
Government
Realised
Much
Anarchy
Always
Governments
Hadn

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I'm embarrassed if I think anyone knows exactly what I paid for something, or even where I got it. I want what I'm wearing to feel good on, wear well, and to be extremely functional.
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I don't think about the real future very much.
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I grew up in southwestern Virginia. I was born in South Carolina, but only because my parents had a vacation cabin or something there on the beach. I was like a summer baby. But I did grow up in the South. I grew up in serious, serious Appalachia, in a very small town.
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I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day.
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All the speed he took, all the turns he'd taken and the corners he'd cut in Night City, and still he'd see the matrix in his sleep, bright lattices of logic unfolding across that colorless void.
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I was once really close to sitting down and having a conversation with a shadowy young woman who is reputed have become a millionaire by investing in Beanie Babies. She was someone that a couple people claimed to know, she seemed to exist, but she remained shadowy.
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If there's a movie of Neuromancer, what I really want the special effects guys to do is make you see, from Case's point of view, the little acid giggies: the little lines and trails coming off of things.
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A book exists at the intersection of the author's subconscious and the reader's response.
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I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.
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I feel like I've been very fortunate in that I've stuck like a burr to the dog-leg of the next generation of nerdism. I've been carried into the XXIth century on Bill Gates' pants-cuff.
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I guess Twitter is the first thing that has been attractive to me as social media. I never felt the least draw to Facebook or MySpace. I've been involved anonymously in some tiny listservs, mainly in my ceaseless quest for random novelty, and sometimes while doing something that more closely resembles research.
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I realized that everyone in Western society, in some weird way, believes that they've had the experience of producing feature films.
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That's one of my favorite things about Twitter: You can tweak your feed into a fabulous novelty engine. That's only one thing you can do with it, but it's one of the things I find most entertaining about it.
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Occasionally if I look back at something I've written I'll find one of those that I don't understand, but that's a bad thing - the unconscious has dealt me a bad hand.
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Things aren't different. Things are things.
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Genuinely ubiquitous computing spreads like warm Vaseline.
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I've become convinced that nostalgia is a fundamentally unhealthy modality. When you see it, it's usually attached to something else that's really, seriously bad. I don't traffic in nostalgia. We're becoming a global culture.
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I'm a really good eavesdropper. I listen to what people say and remember all the buzzwords.
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I was afraid to watch 'Blade Runner' in the theater because I was afraid the movie would be better than what I myself had been able to imagine. In a way, I was right to be afraid, because even the first few minutes were better.
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The designers [of the 1930s] were populists, you see they were trying to give the public what it wanted. What the public wanted was the future.
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