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I can't do fiction unless I visualize what's going on. When I began to write science fiction, one of the things I found lacking in it was visual specificity. It seemed there was a lot of lazy imagining, a lot of shorthand.

William Gibson

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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Unless
Visualize
Fiction
Imagining
Science
Lacking
Write
Visuals
Found
Visual
Writing
Lazy
Going
Began
Specificity
Things
Seemed
Shorthand

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The present tense made him nervous.
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Somewhere, deep within her, surfaces a tiny clockwork submarine. There are times when you can only take the next step. And then another.
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The future's here already. It's just unevenly distributed.
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I guess Twitter is the first thing that has been attractive to me as social media. I never felt the least draw to Facebook or MySpace. I've been involved anonymously in some tiny listservs, mainly in my ceaseless quest for random novelty, and sometimes while doing something that more closely resembles research.
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I only go to Japan when there's someone who can afford to bring me there, and consequently I may never go again!
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I've always been interested in people who aren't from anywhere in particular. I think it's all melting. This has been true for as long as I can remember in my adult life.
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Stand high long enough and your lightning will come.
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What strikes me about Toronto is that Toronto's great misfortune was to have too much money in the late 70s and early 80s, and consequently, it built in the style of those periods, which is hideous.
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I'm a really good eavesdropper. I listen to what people say and remember all the buzzwords.
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I can see television much more easily than I can see features, because the economy and politics of making big, big features seems to me to be narrowing even from what it was.
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I've never actually been a collector. I like the learning-curve, but I buy things, sell them to finance other things.
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I wanted to make room for antiheroes.
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Movies have gotten dull, the way network television got dull. And television, if we can still even call it that, is still really exciting and riveting and people are totally into it. I am always meeting people who have these favorite shows that they are completely wired too and not only have I never seen it but I don't even know how to find it.
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The prefix cyber is going the way of the prefix electro.
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You must learn to overcome your very natural and appropriate revulsion for your own work.
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I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.
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The ecological impact of book manufacture and traditional book marketing - I think that should really be considered. We have this industry in which we cut down trees to make the paper that we then use enormous amounts of electricity to turn into books that weigh a great deal and are then shipped enormous distances to point-of-sale retail.
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That's one of my favorite things about Twitter: You can tweak your feed into a fabulous novelty engine. That's only one thing you can do with it, but it's one of the things I find most entertaining about it.
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I think that the collectible ephemera craze/awareness is probably driven by a reverse market, rebounding off the sense of everything being mass-produced. It's the last step you take in trying to find something unique.
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I'm often saddened and dismayed to see myself portrayed as either a Luddite or as a raving technophile. I've always thought that my job was to be as anthropologically neutral about emerging technologies as possible.
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