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Gadgets are usually the last thing I think about, and if there's something new, I'll get to the store for the final shipment of the first generation when it's on sale. So I have last year's stuff.
William Gibson
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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
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I've been interested in autism since I've known about it, which is more or less since I've been writing.
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I've become convinced that nostalgia is a fundamentally unhealthy modality. When you see it, it's usually attached to something else that's really, seriously bad. I don't traffic in nostalgia. We're becoming a global culture.
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I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day.
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I'd always maintained that much of the anarchy and craziness of the early internet had a lot to do with the fact that governments just hadn't realised it was there.
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There's an idea called gray man, in the security business, that I find interesting. They teach people to dress unobtrusively. Chinos instead of combat pants, and if you really need the extra pockets, a better design conceals them. They assume, actually, that the bad guys will shoot all the guys wearing combat pants first, just to be sure.
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Occasionally if I look back at something I've written I'll find one of those that I don't understand, but that's a bad thing - the unconscious has dealt me a bad hand.
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When did it become necessary to explain what's so cool about Japan? Everyone was quite obsessed with it 15 years ago. I suppose it's the only Asian country that developed an imaginary entree to me. That's why I go back.
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I realized that everyone in Western society, in some weird way, believes that they've had the experience of producing feature films.
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I don't think of myself as being particulary a subversive writer, but I like to think that my work could afford someone else, the extra degree of freedom that I found when I first found science fiction.
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His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol.
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Movies have gotten dull, the way network television got dull. And television, if we can still even call it that, is still really exciting and riveting and people are totally into it. I am always meeting people who have these favorite shows that they are completely wired too and not only have I never seen it but I don't even know how to find it.
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The future is there, Cayce hears herself say, looking back at us. Trying to make sense of the fiction we will have become. And from where they are, the past behind us will look nothing at all like the past we imagine behind us now.
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The sky above the port was the color of television, tuned to a dead station.
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What strikes me about Toronto is that Toronto's great misfortune was to have too much money in the late 70s and early 80s, and consequently, it built in the style of those periods, which is hideous.
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Somewhere, deep within her, surfaces a tiny clockwork submarine. There are times when you can only take the next step. And then another.
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Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation, by children being taught mathematical concepts.
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I worry about what we'll do in the future, [about the instantaneous co-opting of pop culture]. Where is our new stuff going to come from?
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The future is not Google-able.
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A part of that [timewrap] for me was growing up in a culture that violence had always been a part of. It wasn't an aberration, though I realize that in retrospect. I grew up in the part of the U.S. where all of Cormac McCarthy's novels are set and that's a pretty violent place.
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