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I started writing short fiction very briefly, as I imagine is the case for some novelists.

William Gibson

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William Gibson
Age: 76
Born: 1948
Born: March 17
Novelist
Science Fiction Writer
Screenwriter
Writer
Conway
South Carolina
William Ford Gibson
Fiction
Cases
Started
Imagine
Writing
Briefly
Novelists
Case
Short

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Time is money, but also money is money.
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She walked on, comforted by the surf, by the one perpetual moment of beach-time, the now-and-always of it.
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To present a whole world that doesn’t exist and make it seem real, we have to more or less pretend we’re polymaths. That’s just the act of all good writing.
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Somewhere, deep within her, surfaces a tiny clockwork submarine. There are times when you can only take the next step. And then another.
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The most common human act that writing a novel resembles is lying. The working novelist lies daily, very complexly, and at great length.
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Language is to the mind more than light is to the eye.
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Addictions [...] started out like magical pets, pocket monsters. They did extraordinary tricks, showed you things you hadn't seen, were fun. But came, through some gradual dire alchemy, to make decisions for you. Eventually, they were making your most crucial life-decisions. And they were [...] less intelligent than goldfish.
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There's an idea called gray man, in the security business, that I find interesting. They teach people to dress unobtrusively. Chinos instead of combat pants, and if you really need the extra pockets, a better design conceals them. They assume, actually, that the bad guys will shoot all the guys wearing combat pants first, just to be sure.
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It doesn't matter how fast your modem is if you're being shelled by ethnic separatists.
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You can get in a cab in Vancouver and the 20-year-old driver speaks more knowingly of Michael Ovitz than anyone in the industry. They just know! And it's perhaps not unhealthy.
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He took a duck in the face at 250 knots.
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Laney had recently noticed that the only people who had titles that clearly described their jobs had jobs he wouldn't have wanted.
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I'm not a very intentional writer. I try to be as unintentional as possible. What I basically try to do is invite the zeitgeist in to tea.
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I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day.
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Cyberspace is where you are when you're on the telephone.
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For me, the melancholy of the late XXth Century is walking late at night by the Mont Blanc pen store and seeing these things always strike me as simulacra of luxury items. They seem like fakes.
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The culture is still there, and people are still doing it. I imagine some people are doing it very well indeed. As for me, it definitely was my native literary culture. Science fiction was where I'm from, but on the way to now, I went through a lot of other territory, and I wasn't really that culturally conventional an SF writer when I started.
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If someone comes in and says, What are you doing, if I'm honest, the answer is, I don't know. But I'm doing THIS, don't know why.
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Enlightenment is being, and it grows it's end is serenity.
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I'm quite proud of what I anticipated about reality television from my books in the early '90s, which I based on the early seasons of 'Cops' and on the amazing stuff I had read about happening on Japanese shows and the British 'Big Brother'.
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