When I was younger, I never wanted to rehearse because I thought that someone would figure out I don't know what I'm doing.

I like to really spend the time and figure it out and rehearsal is to try something that doesn't work. It's hard to do that, because you always want to go with your impulse thought and you wonder if that's the one, did that work, you know?

I just loved being around everybody. We just found a rhythm with each other that you want to get on everything you ever do in your life.

Prison Break has been a really great experience because of the writers. I think that in television, you can have great directors, really good actors, but if it's not on the page... I think a series lives and dies in writing.

I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.

I like characters where there's something going on and something to make him real. If you find out what somebody cares about, all of a sudden, the whole world opens up.

Ridley Scott - not that he shared it a lot, but you can just see that everything he did, Ridley always seemed to be just so clear. I love that about him.

Passion Of Mind movie is one of my rare romantic things. I'm ready for another. Shooting that, I remember France. We were in the south of France, and Paris. That's the first thing that comes to mind for that. I just remember that that was a beautiful place to be when we shot it.

Sometimes the scene is a sad scene but you have to play it with a laugh to find out that that doesn't work or that there's really a part of that in it, and that's what rehearsal is for, to take that time.

I think that there's no doubt that to work in film is a bit more of a creative journey. It's not that I don't put the same time or heart into something that's on television.

I did a small, small thing in Quiz Show, where I was really just a glorified extra. But, you know, New York actor, few days on a film set: Great! I was probably making subway fare on the play that I was doing at the time. I always think of The Underneath as the first film that I ever did.

The greatest joy in getting ready for the film is that there aren't many reference points for the journey and you've got to define it for yourself.

As much as I moved to New York and tried to work in theater as much as I could - I developed a relationship with Circle Rep - make no mistake about it, I really, really wanted to be in a film. It seemed like almost everyone I knew at least did something in a movie, except me.

The Underneath was my first film. Steven Soderbergh. I remember that I thought, Wow, this is such a highlight. Am I ever going to get back to this? Loved working with Steven and in Austin, Texas, one of the rockin'-est towns in America. I'll always remember it, because I was really grateful that someone finally hired me for a movie.

I really dig the writers, and I think they challenged me for the most part throughout the journey on the show. If you don't challenge me in a series sort of situation, boy, I couldn't be on it long.