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Madam Life's a piece in bloom Death goes dogging everywhere: she's the tenant of the room, he's the ruffian on the stair.

William Ernest Henley

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William Ernest Henley
Age: 53 †
Born: 1849
Born: August 23
Died: 1903
Died: July 11
Editor
Journalist
Literary Critic
Poet
Writer
W. E. Henley
Piece
Ruffian
Dying
Tenant
Room
Stair
Pieces
Madam
Rooms
Tenants
Goes
Bloom
Death
Stairs
Life
Everywhere

More quotes by William Ernest Henley

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So many are the deaths we die Before we can be dead indeed.
William Ernest Henley
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A late lark twitters from the quiet skies.
William Ernest Henley
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Behold me waiting—waiting for the knife.... The thick, sweet mystery of chloroform, The drunken dark, the little death-in-life.... [F]ace to face with chance, I shrink a little: My hopes are strong, my will is something weak. ...I am ready But, gentlemen my porters, life is brittle: You carry Cæsar and his fortunes—steady!
William Ernest Henley
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It is the artist's function not to copy but to synthesise: to eliminate from that gross confusion of actuality which is his raw material whatever is accidental, idle, irrelevant, and select for perpetuation that only which is appropriate and immortal.
William Ernest Henley
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Shakespeare often writes so ill that you hesitate to believe he could ever write supremely well or, if this way of putting it seem indecorous and abominable, he very often writes so well that you are loth to believe he could ever have written thus extremely ill.
William Ernest Henley
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Now, to read poetry at all is to have an ideal anthology of one's own, and in that possession to be incapable of content with the anthologies of all the world besides.
William Ernest Henley
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The nightingale has a lyre of gold, The lark's is a clarion call, And the blackbird plays but a boxwood flute, But I love him best of all. For his song is all the joy of life, And we in the mad spring weather, We two have listened till he sang Our hearts and lips together.
William Ernest Henley
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[T]hey stretch you on a table. Then they bid you close your eyelids, And they mask you with a napkin, And the anæsthetic reaches Hot and subtle through your being.
William Ernest Henley
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Under the bludgeonings of chance My head is bloody, but unbowed.
William Ernest Henley
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Open your heart and take us in, Love-love and me.
William Ernest Henley
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Pointed criticism, if accurate, often gives the artist an inner sense of relief. The criticism that damages is that which disparages, dismisses, ridicules, or condemns.
William Ernest Henley
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Life - life - life! 'Tis the sole great thing This side of death, Heart on heart in the wonder of Spring!
William Ernest Henley
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And lo, the Hospital, gray, quiet, old, Where life and death like friendly chafferers meet.
William Ernest Henley
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Life - life - let there be life! Better a thousand times the roaring hours When wave and wind, Like the Arch-Murderer in flight From the Avenger at his heel, Storm through the desolate fastnesses And wild waste places of the world!
William Ernest Henley
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Life is worth Living Through every grain of it, From the foundations To the last edge Of the cornerstone, death.
William Ernest Henley
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In the fell clutch of circumstance, I have not winced nor cried aloud: Under the bludgeoning of chance my head is bloody, but unbowed.
William Ernest Henley
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Night with her train of stars And her great gift of sleep.
William Ernest Henley
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Shakespeare and Rembrandt have in common the faculty of quickening speculation and compelling the minds of men to combat and discussion.
William Ernest Henley
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Men there have been who have done the essayist's part so well as to have earned an immortality in the doing but we have had not many of them, and they make but a poor figure on our shelves. It is a pity that things should be thus with us, for a good essayist is the pleasantest companion imaginable.
William Ernest Henley
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O, it's die we must, but it's live we can, And the marvel of earth and sun Is all for the joy of woman and man And the longing that makes them one. (Between the Dusk of a Summer Night, 13-16)
William Ernest Henley