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I don't look at other photographs much at all. I don't know why. I study my own a lot.

William Eggleston

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William Eggleston
Age: 85
Born: 1939
Born: July 27
Artist
Photographer
Memphis
Tennessee
Bill Eggleston
Much
Photographs
Photograph
Study
Look
Looks

More quotes by William Eggleston

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Only the few times I've been to so-called treatment centers, which were a complete waste of money and useless. I didn't know what I was doing at the time, because I was always drunk when I checked in.
William Eggleston
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I like to photograph democratically.
William Eggleston
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My friend who I went to boarding school with was interested in photography. He insisted that I buy a camera and marched me downtown.
William Eggleston
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I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.
William Eggleston
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Whatever it is about pictures, photographs, it's just about impossible to follow up with words. They don't have anything to do with each other.
William Eggleston
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I would play music every day from the time I was about 4 or 5 years old. Every time I would go from one end of the house to the other, I would pass the piano and play a few notes.
William Eggleston
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Whether a photo or music, or a drawing or anything else I might do—it’s ultimately all an abstraction of my peculiar experience.
William Eggleston
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I don't think about what camera I should use that much. I just pick up the one that looks nicest on the day.
William Eggleston
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Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
William Eggleston
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Half voluntarily, half Winston's older brother [William] would take me in, saying, Daddy, I think you oughta do this. And I'd say, I think you're right, maybe I do need it. Sometimes a week later I'd leave the place sometimes I'd stick it out for a month.
William Eggleston
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Well, probably the best way to put it might be that at some time, not just in an instant, but over some period of time I became aware of the fact that I wanted to document examples like Kroger or Piggly Wiggly in the late '50s, early '60s.
William Eggleston
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I want to make a picture that could stand on its own, regardless of what it was a picture of. I've never been a bit interested in the fact that this was a picture of a blues musician or a street corner or something.
William Eggleston
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Often people ask what I'm photographing, which is a hard question to answer. And the best what I've come up with is I just say: Life today.
William Eggleston
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I had this notion of what I called a democratic way of looking around, that nothing was more or less important.
William Eggleston
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Photography just gets us out of the house.
William Eggleston
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I would go there quite frequently. I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color.
William Eggleston
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I don't have a burning desire to go out and document anything. It just happens when it happens. It's not a conscious effort, nor is it a struggle. Wouldn't do it if it was. The idea of the suffering artist has never appealed to me. Being here is suffering enough.
William Eggleston
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And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.
William Eggleston
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There are a lot of unseen projects. When a project is finished, I often physically, and in my mind, set it aside, intending something to happen with it, something that does or does not always happen. Now, a lot of these are being resurrected for the public.
William Eggleston
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Many people one meets in life somehow think they know you simply because they're hanging out at the same counter-but they really don't know a thing about you.
William Eggleston