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Unfortunately they're practically all dead. And many were my closest associates: friends, co-directors, whatever you want to say - my partners in crime.

William Eggleston

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William Eggleston
Age: 85
Born: 1939
Born: July 27
Artist
Photographer
Memphis
Tennessee
Bill Eggleston
Directors
Crime
Dead
Friends
Associates
Whatever
Practically
Many
Closest
Unfortunately
Partners

More quotes by William Eggleston

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Generally, that's what happens-a fundamental rotting of the idea. They woke up with the wrong idea. It's just like music: If you don't have an innate love or calling for it, then no matter how much you study or how well you can play by looking at the score, it doesn't mean that you're going to make really good music.
William Eggleston
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I am at war with the obvious.
William Eggleston
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I would go there quite frequently. I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color.
William Eggleston
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Well, probably the best way to put it might be that at some time, not just in an instant, but over some period of time I became aware of the fact that I wanted to document examples like Kroger or Piggly Wiggly in the late '50s, early '60s.
William Eggleston
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I don't have a burning desire to go out and document anything. It just happens when it happens. It's not a conscious effort, nor is it a struggle. Wouldn't do it if it was. The idea of the suffering artist has never appealed to me. Being here is suffering enough.
William Eggleston
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Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
William Eggleston
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I don't look at other photographs much at all. I don't know why. I study my own a lot.
William Eggleston
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I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify.
William Eggleston
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You can take a good picture of anything. A bad one, too.
William Eggleston
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I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.
William Eggleston
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Photography just gets us out of the house.
William Eggleston
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You become technically proficient whether you want to or not, the more you take pictures.
William Eggleston
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I like to photograph democratically.
William Eggleston
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Half voluntarily, half Winston's older brother [William] would take me in, saying, Daddy, I think you oughta do this. And I'd say, I think you're right, maybe I do need it. Sometimes a week later I'd leave the place sometimes I'd stick it out for a month.
William Eggleston
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There is no particular reason to search for meaning.
William Eggleston
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I’ve always assumed that the abstract qualities of [my] photographs are obvious. For instance, I can turn them upside down and they’re still interesting to me as pictures. If you turn a picture that’s not well organized upside down, it won’t work.
William Eggleston
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I don't think about what camera I should use that much. I just pick up the one that looks nicest on the day.
William Eggleston
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I had this notion of what I called a democratic way of looking around, that nothing was more or less important.
William Eggleston
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It quickly came to be that I grew interested in photographing whatever was there wherever I happened to be. For any reason.
William Eggleston
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Whether a photo or music, or a drawing or anything else I might do—it’s ultimately all an abstraction of my peculiar experience.
William Eggleston