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I knew it was happening, but I never paid much attention to it . . . just to the passage of time. Something new always slowly changes right in front of your eyes - it just happens.

William Eggleston

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William Eggleston
Age: 85
Born: 1939
Born: July 27
Artist
Photographer
Memphis
Tennessee
Bill Eggleston
Always
Knew
Passages
Never
Eyes
Slowly
Time
Attention
Happenings
Eye
Happening
Happens
Changes
Right
Fronts
Much
Front
Something
Paid
Passage

More quotes by William Eggleston

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Whether a photo or music, or a drawing or anything else I might do—it’s ultimately all an abstraction of my peculiar experience.
William Eggleston
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I think with being blind the one thing you would have going is that you could still feel things, see your way around so to speak. And if you had had the experience of seeing at one time in your life, then you would know what it was like and be able to function. I've said this before, I think I could really photograph blind if I had to.
William Eggleston
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There's plenty of film out there, and quadrillions of cameras that use film - I don't think it makes much sense not to use it. The thing that's going out is the manufacturing of the paper. Incidentally, all these years my wife has told me that I'm color-blind.
William Eggleston
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I would play music every day from the time I was about 4 or 5 years old. Every time I would go from one end of the house to the other, I would pass the piano and play a few notes.
William Eggleston
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We have a few things in common - smoking, drinking, and women. Photography just gets us out of the house. (To photographer Juergen Teller)
William Eggleston
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Often people ask what I'm photographing, which is a hard question to answer. And the best what I've come up with is I just say: Life today.
William Eggleston
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Many people one meets in life somehow think they know you simply because they're hanging out at the same counter-but they really don't know a thing about you.
William Eggleston
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I don't have a burning desire to go out and document anything. It just happens when it happens. It's not a conscious effort, nor is it a struggle. Wouldn't do it if it was. The idea of the suffering artist has never appealed to me. Being here is suffering enough.
William Eggleston
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Well, probably the best way to put it might be that at some time, not just in an instant, but over some period of time I became aware of the fact that I wanted to document examples like Kroger or Piggly Wiggly in the late '50s, early '60s.
William Eggleston
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I had the attitude that I would work with this present-day material and do the best I could to describe it with photography, not intending to make any particular comment about whether it was good or bad or whether I liked it or not. It was just there, and I was interested in it. That's what I still do today.
William Eggleston
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I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.
William Eggleston
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I had this notion of what I called a democratic way of looking around, that nothing was more or less important.
William Eggleston
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It was something new that was happening everywhere. You couldn't miss it. If you needed to go to the grocery you would go to the predecessors of the big supermarkets of today.
William Eggleston
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Photography just gets us out of the house.
William Eggleston
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I don't think about what camera I should use that much. I just pick up the one that looks nicest on the day.
William Eggleston
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I have some that I have become a well-known-even infamous-client of, mostly in Memphis. But a great deal of that is legend and doesn't have anything to do with truth.
William Eggleston
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There is no particular reason to search for meaning.
William Eggleston
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And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.
William Eggleston
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Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
William Eggleston
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I don't think that has ever changed. I don't think I see any more or any less than I did years ago. Let's say I have the print of a photo taken in the 1960s and one I took a month ago. I think it's pretty difficult to tell any difference, personally.
William Eggleston