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I would go there quite frequently. I met and became close with John Szarkowski of the Museum of Modern Art. He was incredibly supportive about me working in color.

William Eggleston

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William Eggleston
Age: 85
Born: 1939
Born: July 27
Artist
Photographer
Memphis
Tennessee
Bill Eggleston
Quite
Frequently
Working
Incredibly
Art
John
Would
Mets
Became
Close
Museum
Color
Supportive
Modern
Museums

More quotes by William Eggleston

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Unfortunately they're practically all dead. And many were my closest associates: friends, co-directors, whatever you want to say - my partners in crime.
William Eggleston
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Many people one meets in life somehow think they know you simply because they're hanging out at the same counter-but they really don't know a thing about you.
William Eggleston
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I don't have a burning desire to go out and document anything. It just happens when it happens. It's not a conscious effort, nor is it a struggle. Wouldn't do it if it was. The idea of the suffering artist has never appealed to me. Being here is suffering enough.
William Eggleston
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And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.
William Eggleston
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I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it, which they can identify.
William Eggleston
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I am at war with the obvious.
William Eggleston
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Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.
William Eggleston
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I had this notion of what I called a democratic way of looking around, that nothing was more or less important.
William Eggleston
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Well, probably the best way to put it might be that at some time, not just in an instant, but over some period of time I became aware of the fact that I wanted to document examples like Kroger or Piggly Wiggly in the late '50s, early '60s.
William Eggleston
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I had the attitude that I would work with this present-day material and do the best I could to describe it with photography, not intending to make any particular comment about whether it was good or bad or whether I liked it or not. It was just there, and I was interested in it. That's what I still do today.
William Eggleston
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Often people ask what I'm photographing, which is a hard question to answer. And the best what I've come up with is I just say: Life today.
William Eggleston
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It quickly came to be that I grew interested in photographing whatever was there wherever I happened to be. For any reason.
William Eggleston
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You become technically proficient whether you want to or not, the more you take pictures.
William Eggleston
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I’ve always assumed that the abstract qualities of [my] photographs are obvious. For instance, I can turn them upside down and they’re still interesting to me as pictures. If you turn a picture that’s not well organized upside down, it won’t work.
William Eggleston
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I only ever take one picture of one thing. Literally. Never two. So then that picture is taken and then the next one is waiting somewhere else.
William Eggleston
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We have a few things in common - smoking, drinking, and women. Photography just gets us out of the house. (To photographer Juergen Teller)
William Eggleston
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I have some that I have become a well-known-even infamous-client of, mostly in Memphis. But a great deal of that is legend and doesn't have anything to do with truth.
William Eggleston
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There are a lot of unseen projects. When a project is finished, I often physically, and in my mind, set it aside, intending something to happen with it, something that does or does not always happen. Now, a lot of these are being resurrected for the public.
William Eggleston
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I don't think that has ever changed. I don't think I see any more or any less than I did years ago. Let's say I have the print of a photo taken in the 1960s and one I took a month ago. I think it's pretty difficult to tell any difference, personally.
William Eggleston
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Whatever it is about pictures, photographs, it's just about impossible to follow up with words. They don't have anything to do with each other.
William Eggleston